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Rhavas is a good, holy, and pious man, as befits a member of the clergy. He is also the cousin of the Avtokrator, ruler of the Empire. Hoping someday to become ecumenical patriarch of Videssos, he was reluctantly willing to bide his time in one of the smaller cities on the outskirts of the Empire.

Then civil war broke out, and the Avtokrator had to pull back the troops guarding the borders as he struggled for control of the Empire. Rhavas had to flee for his life as the fierce Khamorth nomads took advantage of the chaos and sacked the city he had come to love. He only survived because he accidentally discovered that he had an unsuspected power: Men often cursed each other – but Rhavas’s curse had the power to kill!

Rhavas had always followed Phos, the god of light and goodness, Videssos’ own god, just as he had always despised Phos’ evil rival Skotos. Those who fall off the Bridge of the Separator during judgment in the afterlife are doomed to dwell in Skotos’ ice and darkness forevermore. But Rhavas has reverenced logic as well as goodness, and knows the power to kill with a curse cannot be an attribute of Phos. As evil swallows up the world, Rhavas, ever the logician, decided that Skotos is actually the more powerful god, and becomes determind to change the official religion of Videssos. But in the end, it is he who will be changed, and neither the world nor he will ever be the same again…

Stapledon projects two separate futures for humanity, depending not on the outcome of World War II but on the failure or success of a future “Tibetan Renaissance” to influence the temper and ideology of the militaristic empires that threaten it.

The Lyonesse sequence evokes the Elder Isles, is a baroque land of pre-Arthurian myth now lost beneath the Atlantic, where powerful sorcerers, aloof faeries, stalwart champions, and nobles eccentric, magnanimous, and cruel pursue intrigue among their separate worlds . . .

King Aillas of Troicinet defends the peace of the Elder Isles against both the Ska marauders who once enslaved him and the wicked King Casmir. While organizing the unruly barons in the frontiers of his land, Aillas goes out of his way to capture the lovely Ska noblewoman who once stung him with her disregard. When he gets separated from his men, his dream of forcing the lady’s recognition becomes the toil of dragging a defiant captive across lands governed by Casmir’s henchmen.

Meanwhile, the world of magic has gone on the move. The concentrated malice of the witch Desmëi has manifested as a green pearl, breeding lust and envy and death; and a sorcerer in Casmir’s employ abducts the princess Glyneth, in a bid to draw Aillas and friends on a hopeless rescue mission across a bizarre and deadly alternate world . . .



(First published in 1985)

Gondwane . . . In the last days of Earth, the continents drifted together again after aeons of separation, and that was Gondwane.

Gondwane . . . When all the kingdoms of all the peoples of Earth had come and gone and new ones arose, it was on Gondwane they created their ephemeral glories.

On Gondwane, amid the turmoil of the last wars and the last quests and the last efforts of scientists and alchemists, there arose one final hero, the mighty Ganelon Silvermane.

In plain English, at 4 a. m., a ray of light had been observed on the disc of the planet Mars in or near the “terminator”; that is to say, the zone of twilight separating day from night. The news was doubly interesting to me, because a singular dream of “Sunrise in the Moon” had quickened my imagination as to the wonders of the universe beyond our little globe, and because of a never-to-be-forgotten experience of mine with an aged astronomer several years ago…

The planet was unknown¿ a savagely primitive place where every man had to kill every other man – or live as a slave.

The inhabitants lived in the early Bronze Age one minute, and in the early Machine Age the next. Technology had degenerated into a number of mysteries jealously guarded by separate brotherhoods.

But Jason dinAlt was a gambler. He realised that if he was ever going to get a winning hand in this game, the brotherhoods would need a shuffle¿

They told Lisa she was the daughter of an American aristocrat and an Italian princess both of whom died shortly after Lisa’s birth. They told Lisa she was heiress to a vast Boston fortune, and that her American family cherished her and wanted her to stay with them.

At first Lisa tried to believe it all. Then she tried to separate the truth from the lies. Finally, she would know one thing for sure. Somebody or something was out to destroy her …

The sequel to Last and First Men, Olaf Stapledon’s great classic work of science fiction.


In Last Men in London the author follows up the themes of his earlier masterpiece in presenting a Neptunian ‘last man’s’ views on our twentieth-century world, views informed by the huge dimensions of space and time which separate him from our tiny contemporary world. Once again, Olaf Stapledon has been totally successful in creating a work of such stunning imagination and brilliance that it has taken its place amongst the classics of science fiction.

Alvin is a clone. One of four, all raised separately, all with unnatural powers. Terrified by their potential, their creator attempts to wipe their recent memories, their knowledge of the talents. But the process goes wrong, and all four are left with no memory at all. They see the world with brand new eyes.

Sent to a remote research station, kept under the guidance of an intelligent ape, Alvin begins to recover his memories. Desperate to rediscover his brothers, he sets off to London in a desperate search for their creator. But when he is kidnapped by criminal apes, the trouble really begins.

When Virginia Freer spends a weekend with her friends the Boscotts the last person she expects to meet is the lying, light-fingered charmer who was her husband. She and Felix have been separated for several years.

Yet within a few hours of a party given to celebrate the engagement of a local poet and a best-selling novelist, the novelist’s sister arrives distraught on the Boscotts’ doorstep to announce that she has found her shot dead in their bungalow next door. And when Virginia, Felix and the Boscotts reach the scene they find that something very strange has happened to the corpse . . .

Far from his adopted home, the Golden City of Shondakor, Koja, self-exiled insectoid of the Yathoon Horde, has blundered into the savage land he had renounced, accompanied only by little Taran, ward of Prince Jandar. Lost in the treacherous scarlet plains, the two are hurled to separate, unnamable fates – Taran forsaken in shackles, along with the lovely Princess Xara, while the renegade Koja is locked on a perilous course of vengeance for the evils done to his clan. All destinies collide at the Great Yathoon Games in the hidden valley of Sargol – the impenetrable citadel girdled by a seething mote of flames.

They have lived among us for centuries-distant, separate, just out of sight. They fill our myths, our legends, and the stories we tell our children in the dark of night. They come from the air, from water, from earth, and from fire. What are these creatures that enjoin out imagination? Faeries.

Megan is an artist who draws seascapes. Jonah owns a shop devoted to treasures from the deep. Their lives, so strongly touched by the ocean, become forever intertwined when enchanting people of the sea lure them further into the underwater world-and away from each other.

Lieutenant Charles O’Connor of the Glendale police bureau is warned by the Feds that Conway, a crook whose brother was shot by O’Connor during a hold-up, has escaped from jail and is probably bent on vengeance.

This news could not have come at a worse time – the Glendale P.D. is currently investigating three separate violent deaths, giving O’Connor no time for special protection. He reckons that he can take care of himself and pursue romance at the same time, and all the while Conway plans his revenge . . .

‘My favourite American crime-writer’ New York Herald Tribune

In Old Earth’s clandestine world of ambassador-spies, Michelangelo Kusanagi-Jones and Vincent Katherinessen were once a starring team. But ever since a disastrous mission, they have been living separate lives in a universe dominated by a ruthless Coalition – one that is about to reunite them.

The pair are dispatched to New Amazonia as diplomatic agents. Allegedly, they are to return priceless art. Covertly, they seek to tap its energy supply. But in reality, one has his mind set on treason. And among the extraordinary women of New Amazonia, in a season of festival, betrayal, and disguise, he will find a new ally – and a force beyond any that humans have known . . .

Out in the Rolls-Royce, Emmy Arkwright nearly collides with Nat Volck in Beverly Hills. Emmy and Nat are neighbours, yet belong to separate worlds: she is a wealthy, successful fashion designer; he is a doctor who trained during World War Two. But when Nat gets a call one night telling him Emmy has attempted suicide, they become inexorably linked.

Nat – bitter and uncomfortable in his California Cadillac practice – attends Emmy, and watches over her return to memory and to her old life, offering her the stability and security she badly needs.

But was it really attempted suicide – or is someone trying to kill Emmy?

The Lyonesse sequence evokes the Elder Isles, is a baroque land of pre-Arthurian myth now lost beneath the Atlantic, where powerful sorcerers, aloof faeries, stalwart champions, and nobles eccentric, magnanimous, and cruel pursue intrigue among their separate worlds . . .

Prince Aillas of Troicinet is betrayed on his first diplomatic voyage and cast into the sea. Before he redeems his birthright, he must pass the breadth of Hybras Isle as prisoner, vagabond, and slave, an acquaintance of faeries, wizards, and errant knights, and lover to a sad and beautiful girl whose fate sets his bitter rivalry with the tyrant Casmir, King of Lyonesse.


(First published in 1983)

The Faceless Man is a prisoner in his own palace. His power over the people of Durdane is in the hands of Gastel Etzwane, a youth whose thirst for vengeance against the dreaded Rogushkoi would be slaked only by oceans of their blood. For these invincible foes who threatened Durdane had taken and killed his mother and sister. To destroy the Rogushkoi Gastel would have to unite a world that survived only through its separateness. It was more than dangerous, but he had no choice. If they were to fight the people must regain control of their own lives. Only then could Gastel recruit an elite corps of the liberated – the Brave Free Men – to fling against the Rogushkoi and fight to the death.

In a landscape that will exist only for as long as it is imagined, VALENTINE unfolds to reveal the intricacies of the human heart. In South Florida, a hurricane alert waylays a journalist in the coastal town of Piersall. This safe harbour hosts an unlikely reunion, as he miraculously finds himself stranded with a lost love. This chance encounter is merely the first in a chain of events that will again link these estranged lovers to one another. But eventually the suggestion emerges that their love may not be governed by chance alone, but by the ever-bending rules of the imagination. Investigating the nature of their love and the elusive, alienating force that separated them in the past, despite their seemingly boundless passion, this is an erotic valentine of insatiable longing and hope that will make a sensual and entrancing holiday gift.

‘Rewarding, inventive and enjoyably perplexing’ Sunday Times

A colleague writes an obituary for a fellow scientist and Nobel Prize winner, somewhat relishing his death; a train in the Scottish Highlands takes the wrong track during a snowstorm, resulting in a death, possibly murder; a publisher’s reader reports on a hospital romance novel that bizarrely ends with a gory, Ripper-style murder. Ten apparently separate stories are ingeniously drawn together to form variations on a single theme – obsession with the success of a rival and the plotting of his death.

But obsession is an unstable motive for murder, and the game of revenge can turn very sour . . .

Betrayals is an ingenious, mesmerising puzzle, intricately pieced together by a master of the art.

Young Peter, a student of Byzantine art forms at Moscow University, through a cryptic sentence in a lecture receives a message to buy two books of his choice at exactly 1.30 pm in the university bookstore. When he opens the package, a third book, ‘The Life of Pushkin’, a very special copy indeed, has been included. It is this third book that leads Peter to Armenia on a series of adventures of the sort that Fred and Geoffrey Hoyle know how to spin so skilfully and so spell bindingly. Peter’s mission includes finding his father again after many years of separation. And from his father he receives the remarkable ‘battery’ – plus a very difficult task to perform.

Searching for the beautiful witch Jemhara, the magician Thryfe at last finds her in the reinvented town of Kandexa, where a strange and passionate wooing begins. From this union a son is born – golden-skinned, red-haired, blue-eyed – and thus the Lionwolf returns to the world of men.

Unaware of this birth, his original mother the goddess Saftri has begun her own search for her lost love Athluan . . . while elsewhere the black and shining ones, the Children of Chillel, seek to establish claims on the ice-locked planet. Beyond, over, under all, the evil god Zzth rages and plans the ruin of these separate and immortal lives.

Strafed by the tumult of such conflicting powers, the be-wintered realm of mortals can only wait to learn its destiny.

TEN MEN AND WOMEN ESCAPED IN THE STARSHIP – THE ONLY HOME THEY WOUKD KNOW FOR GENERATIONS – THE SEED FROM WHICH THEY WOULD BUILD A NEW RACE.

The Solarian was a hundred metres high and, at its broadest point, twenty metres in diameter. It was designed to carry an initial crew of ten people – five men and five women – with provisions for subsequent children. Yet in that vast hull every cubic metre of space was indispensable, for the ship was a self-contained world, required to support human life independently for centuries.

No member of the crew, male or female, could regard themselves as a separate entity, an individual personality. But each person was a part of a total life-unit, a dedicated nucleus that might one day expand into a tribe; that might, phoenixlike, bring forth a new human race.

What happens to a man whose entire personality undergoes a sudden and profound change? Stephen Marsh is a successful management consultant, happily married and with a daughter at university. Then one day he becomes cold to his wife, is unable to relate to his daughter, is uninterested in his job and his friends. The old Stephen Marsh seems to have been replaced by an intrusive newcomer equipped with new memories and new attitudes. The deuteron-Marsh recalls a previous half-century of life as a writer who shied away from human contact, nurturing a secret which separates him from other people. Incapable of giving love or companionship, the new Marsh struggles to continue his predecessor’s lifestyle, torn between a longing for solitude and the bounds of ordinary obligation and affection.

Utopia had been completely separated from the rest of the galaxy for 300 years. It had taken six decades to finalise the agreement and conditions that would permit a visitor from the Other Worlds to come there. Hardy Cronyn from Washington IV was the first arrival.

The sensuous, young beauty who was to be his guide greeted him with a kiss. But it only took moments for Cronyn to learn the rules: no marriage. It was illegal. The two million inhabitants of Utopia were immortal. If there were marriage, there would be the desire for children, and that was seldom allowed.

The only deaths were accidental; petty crime was non-existent. Cronyn believed Utopia was paradise – until he discovered one paralyzing fear that consumed them all – PAIN! For if life was eternal pain would last a long, long, time…