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‘One of British crime writing’s hidden jewels’ Time Out

Megan Harpur had taken the train back from London to tell her husband she was leaving him for another man. By the time Detective Chief Superintendent Colin Harpur discovered her in the station car park in the early hours of the morning, there was nothing anyone could do.

Who had committed this savage killing? And what did Megan’s lover’s secret activities have to do with it? The crime confronts Harpur with the most unnerving case of his career – an investigation into his own wife’s brutal and apparently senseless murder.

Composer and dancer Anna van Tuyl is working on her masterpiece, a work she has titled “The Rose”. Her progress is stymied, however, when her body begins suddenly to change. For no knowable reason, she begins to grow strange protuberances, her body warping more day by day. Desperate to complete her symphony before her life becomes subsumed by these growths, she encounters a painter suffering from the same affliction.
Ruy Jacques is an artist, famed for his works and full of inspiration despite his condition. His wife is a scientist, a woman of logic, working to build the perfect weapon. While Anna at first believes she has found a saviour and kindred spirit in Ruy, she instead finds herself in the middle of a tense battle between art and science, with building jealousy and resentment.
Is the true goal the completion of her work, or the possibility of a cure? Is it better to seek immortality through their art, or a full life through science?

Award-winning author Charles Harness’ lost classic was rediscovered by Michael Moorcock more than a decade after it was first published, and champsioned by him to great acclaim. IT was awarded the Retro-Hugo award in 2004.

With the land of Everien in chaos as a voracious timeserpent wreaks havoc, Istar and her companions – Taratel, Jaya, and Tarquin the Free – embark on a perilous quest to the lost city of Jai Pendu in order to harness the power of the Sekk and the ancient sorcery of the elusive skyfalcon, in the epic conclusion of the Everien saga.

Sorrow and trouble and bitterness will bound you and yours and the children of yours…

Some said the dying words of Nial Lynn, murdered by his own son, were a wicked curse. To others, it was a winter’s tale spun by firelight on cold, dark nights. But when Corbet Lynn came to rebuild his family estate, memories of his grandfather’s curse were rekindled by young and old – and rumours filled the heavy air of summer.

In the woods that border Lynn Hall, free-spirited Rois Melior roams wild and barefooted in search of healing herbs. She is as hopelessly unbridled – and unsuited for marriage – as her betrothed sister Laurel is domestic. In Corbet’s pale green eyes, Rois senses a desperate longing. In her restless dreams, mixed with the heady warmth of harvest wine, she hears him beckon. And as autumn gold fades, Rois is consumed with Corbet Lynn, obsessed with his secret past – until, across the frozen countryside and in flight from her own imagination, truth and dreams become inseparable…

Love, history or blood…which is the strongest?

In childhood something black settled on Mechail Korhlen and drank from his throat. And later somebody pitied him enough to kill his poor deformed body when he became an adult. But then Mechail chose to return from beyond the veil to enact revenge – and to follow Anjelen, ruler of the sinister monastery sited deep in the forest.

The fulfilment of his destiny had begun.

This fourth volume of Theodore Sturgeon’s Complete Stories publishes the work of 1946-1948, wen Sturgeon’s early popularity among science fiction readers crystallized into a lasting reputation among a wider group of readers. “Maturity” and “Thunder and Roses” are the best-known of the stories in this period. “It Wasn’t Syzygy” display’s Sturgeon’s interest in psychological themes. “The Professor’s Teddy Bear” is an early prototype of the modern “horror story” as practiced by Clive Baker, Stephen King and many others.


In these years Sturgeon was recovering from the failure of his first marriage and a severe case of “writer’s block”. In March 1947 his luck turned around: a story he had failed to sell earlier won a short story contest sponsored by the prominent British magazine, Argosy, with the then-enormous prize of $1000. Later Sturgeon credited this event for restoring his faith in himself as a writer. The same year “Maturity” and “Thunder and Roses” were received with tremendous enthusiasm by his peers. Ray Bradbury, a few years short of his own success, wrote to Sturgeon in February 1947:


“Ted, I hate you!…MATURITY…is a damned nice story. Your sense of humour, sir, is incredible. I don’t believe you’ve written a bad story yet; I don’t think you ever will. This is not log-rolling, by God; I only speak the truth. I predict you’ll be selling at least six stories a year to Collier’s and The Post before long. You have the touch.” A month later, the day he learned he’d won the contest, Sturgeon wrote to his ex-wife, “It’s more than a thousand dollars. The curse is off with me. My faith in [the story’s] quality and my own is restored, and I don’t think that I shall ever again experience that mystic diffidence and childish astonishment when one of my stories sells or is anthologized. I know now why they do, and I’m proud of it, and I know how to use it.”


This fourth volume also features a major “undiscovered” story, “Wham Bop!”, from an obscure youth magazine in 1947. It may be one of the finest fictional portraits of a 1940s jazz band in American letters.


Additional delicacies awaiting the Sturgeon fan in Thunder and Roses are his first Western Story, “Well Spiced”, and a UFO saga, “The Sky Was Full of Ships”, written in 1947 and set in the Southwest. It could well be the true story of the Roswell incident.

‘The gems in this impressive collection have the same power to disconcert as her best novels’ Martin Amis

‘Her worlds have a magic sheen . . . she moulds them into dimensions we can only just sense. She is unique. She is legend’ THE TIMES

North to Orsinia and the boundaries between reality and madness … South to discover Antarctica with nine South American women … West to find an enchanted harp and the borderland between life and death … and onward to all points on and off the compass. Twenty astonishing stories from acclaimed author Ursula K. Le Guin carry us to worlds of wonder and horror, desire and destiny, enchantment and doom.

An instant cult classic upon first publication, Suzette Haden Elgin’s Native Tongue trilogy has earned wide critical acclaim, shocking and captivating a loyal readership among science fiction and women’s literature audiences alike.

Sequel to the enormously popular Native Tongue, The Judas Rosecontinues Elgin’s gripping vision of a frightening, male-dominated world where the women of Earth are virtually enslaved. Once again, this group of women-and the nonviolent yet transformative power of language-is called upon to challenge Earth’s violent, patriarchal order. Their revolutionary tool is Laadan-a secret women’s language created to free them from men’s control and make resistance possible for all women.

In The Judas Rose, the time has come to take Laadan from underground and spread its revolutionary power to women everywhere-in part, through a group of nuns inside the Roman Catholic Church. But when a handful of horrified priests uncover the women’s sabotage they move to stamp it out with an undercover female agent of their own.