The book that defined the cyberpunk movement, inspiring everything from The Matrix to Cyberpunk 2077.
The sky above the port was the colour of television, tuned to a dead channel.
William Gibson revolutionised science fiction in his 1984 debut Neuromancer. The writer who gave us the matrix and coined the term ‘cyberspace’ produced a first novel that won the Hugo, Nebula and Philip K. Dick Awards, and lit the fuse on the Cyberpunk movement.
More than three decades later, Gibson’s text is as stylish as ever, his noir narrative still glitters like chrome in the shadows and his depictions of the rise and abuse of corporate power look more prescient every day. Part thriller, part warning, Neuromancer is a timeless classic of modern SF and one of the 20th century’s most potent and compelling visions of the future.
Best-known for his seminal sf novel NEUROMANCER, William Gibson is also a master of short fiction. Tautly-written and suspenseful, BURNING CHROME collects 10 of his best short stories with a preface from Bruce Sterling, co-Cyberpunk and editor of the seminal anthology MIRRORSHADES. These brilliant, high-resolution stories show Gibson’s characters and intensely-realized worlds at his absolute best. Contains ‘Johnny Mnemonic’ (filmed starring Keanu Reeves) and title story ‘Burning Chrome’ – both nominated for the Nebula Award – as well as the Hugo-and-Nebula-nominated stories ‘Dogfight’ and ‘The Winter Market’.
The ghost was her father’s parting gift, presented by a black-clad secretary in a departure lounge at Narita..
Mona is a young girl with a murky past and an uncertain future whose life is turned upside down when her pimp sells her to a plastic surgeon in New York and overnight she’s turned into someone else.
Angie Mitchell is a famous Hollywood Sense/Net star with a special talent. And despite the efforts of studio bosses to keep her in ignorance, Angie’s started remembering things. Soon she’ll discover who she really is . . . and why she doesn’t need a deck in order to enter cyberspace.
From inside the matrix, plots are set in motion and human beings are being played like pieces on a board. And behind the intrigue lurks the shadowy Yazuka, the powerful Japanese underworld, whose leaders ruthlessly manipulate people and events to suit their own purposes.
Or so they think . . .
They set a Slamhound on Turner’s trail in New Delhi, slotted it to his pheromones and the colour of his hair.
When the Maas Biolabs and Hosaka zaibatsus fight it out for world domination, computer cowboys like Turner and Count Zero are just foot soldiers in the great game: useful but ultimately expendable.
When Turner wakes up in Mexico – in a new body with a beautiful woman beside him – his corporate masters let him recuperate for a while, then reactivate his memory for a mission even more dangerous than the one that nearly killed him: the head designer from Maas Biolabs says he wants to defect to Hosaka, and it’s Turner’s job to deliver him safely.
Count Zero is a rustbelt data-hustler totally unprepared for what comes his way when the designer’s defection triggers war in cyberspace. With voodoo gods in the Net and angels in the software, he can only hope that the megacorps and the super-rich have their virtual hands too full to notice the amateur hacker with the black market kit trying desperately to stay alive . . .