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Rob Merlin was the best engineer who had ever lived. That was why “The King of Space” had to have him for the most spectacular construction project ever – even though Rob was a potentially fatal threat to his power…


Thus begins a breakthrough novel by the former President of the American Astronautical Society, about an idea whose time has come: a shimmering bridge between Earth and space that mankind will climb to the stars!

THE WIZARD KNIGHT springs from the myths, legends and literature of times past.
A teenager passes from Earth to a magical realm of seven worlds, where he is given a hero’s adult body and named Able. Though forced to act as a man, inside he is still a boy, even as he sets off to find his destined sword and become a knight.
In his quest he battles giants, meets gods, heroes and a sorceress (who repeatedly tries to seduce him), and serves the mercurial dragon king Arnthor in a was that could end everything.

The secrets of Asorbes – and of the alien Pharaoh who ruled there!

All bowed their heads before the golden splendour of Khasathut’s pyramid – and before his atrocities. Slaves and princes alike feared his awesome powers, which came from far beyond the stars. Only Khai was not blinded by the glories of the Pharaoh, for not only had he seen the horrible secrets of the pyramid but he had lived to escape their deadly grasp!

A man of two worlds, out of two ages, Khai fought to win the hand of the Queen Ashtarta and to vanquish the devil-king and his wraiths of hell. And he kept to an eternal faith: that one day the Golden Ones would return from their journey through the heavens bringing justice…

A sumptuous collection of epic fantasy heroes from the pen of Robert E. Howard, one of the true Masters of Fantasy

Robert E. Howard was a pulpwriter who turned his hand to everything from historical adventure and detective stories to Western and boxing fiction – and invented the genre now known as sword-and-sorcery: it is for these tales of heroic fantasy and horror that he is best remembered.

His mighty heroes – including an English Puritan adventurer sent on redressing grievous wrongs, the king of a mythical, antediluvian empire contemporary with Atlantis, a Pictish warrior-king – all these brothers of the sword and more bestrode the pages of WEIRD TALES and the other pulp magazines of the twenties and thirties.

This companion volume follows on from the success of the first Gollancz Big Black Book featuring Howard’s world-famous barbarian king, and contains all the stories featuring his brothers-in-arms, collected together in chronological order, as fresh and atmospheric today as when they were first published in the pulp magazines of more than eighty years ago.

Compiled by and with an Afterword by award-winning writer and editor Stephen Jones, and with cover image, frontispiece and internal pictures by the award-winning artist Les Edwards.

The secret of the three kings – revealed at last

For centuries, interstellar prospectors had searched for the fabled Worlds of the Three Kings, the lost El Dorado of the galaxy. But if any found it, they were never heard from again. The mad cyborg Prophet, Ishmael Hand, discovered the mysterious system, with artefacts indicating a superhuman technology, and he had refused to reveal its location before vanishing forever in history.

Two more recent expeditions have found the Three Kings. A starfaring evangelist – Doctor Karl Woodward, preacher and leader of the starship The Mountain – followed a clue and found it, but never returned. Then a spacegoing salvage team followed Woodward’s trail, and also vanished.

Now a chance encounter between what’s left of the once-mighty human military with an inexplicable alien force has brought an armed expedition to the third planet of the Three Kings, Kaspar. They will join forces with the survivors of the first two expeditions, who have been marooned both by alien powers and by human treachery, as they at last encounter the alien minds behind the mysterious triple planetary system – and face a decision that may determine the fate of the entire human race!

King Jorian was rather attached to his head. Hence, he felt his promise to seal the Kist of Avlen, a treasure trove of ancient manuscripts on magic, was little enough a price to pay for a chance to escape his own beheading.

But when the quest pitted him against one peril after another – a murderous wizard and his giant squirrel, a castle full of executioners, a marauding troop of ape men, and a voluptuous 500-year-old princess who was also a serpent – Jorian wondered if he’d made a good bargain!

The Whims of Destiny

Jorian, the one-time unbeheaded king, was now safely retired from a long career of getting into trouble. But his younger brother Kerin lacked such wisdom. The outraged father of Adeliza had caught him in compromising circumstances with the maiden. So Kerin had to be sent at once on a mission by sea to the Far East.

But Kerin’s talent for trouble was not to be denied. First came Belinka, a sprite sent by Adeliza to bring him back safe for her. The ship captain believed Kerin was seducing his mistress. Though innocent this time, Kerin left hastily in a rowboat. That got him to a hermit-wizard’s island – and a voyage on a pirate ship, where the kidnapped princess Nogiri was held captive. Kerin was unable to save her – until he gained the help of the hermit-wizard, who then betrayed him by seizing the girl and fleeing with her to be used as a human sacrifice.

From then on, events became hectic as Kerin managed to save Nogiri again, helped by a wizard who was the enemy of the first one. Belinka was much distressed by what happened then between Kerin and Nogiri – with cause – as they set out again, this time to the Emperor of the Farthest East.

There Kerin discovered more magic, and the Emperor learned that no man should be absentminded when using a powerful spell. But it was later that Kerin discovered the limitations of roller skates.

THE WIZARD KNIGHT springs from the myths, legends and literature of times past.
A teenager passes from Earth to a magical realm of seven worlds, where he is given a hero’s adult body and named Able. Though forced to act as a man, inside he is still a boy, even as he sets off to find his destined sword and become a knight.
In his quest he battles giants, meets gods, heroes and a sorceress (who repeatedly tries to seduce him), and serves the mercurial dragon king Arnthor in a was that could end everything.

“Who was your father?” the mutant asked Dale Kesley. And try as he might, Kesley could not remember; his past was an utter blank. But he knew one thing – the answer to his life’s riddle lay in Antarctica, the once-frozen continent, now an earthly paradise surrounded by an impenetrable barrier.

But how to get there? The only means of transportation were the spindly six-legged mutant horses. And it was suicide for Kesley to travel on the American continents. Two immortal dictators had set king-size rewards for his capture – dead or alive! But somewhere in the two continents there was someone who would help him, someone he had to find. The future of the world depended on his success.



(First published 1956)

‘You will be a King, and Great King, and then you will Die, and you may not avoid that destiny, try as you may¿’

Two-thirds god, one-third human, Gilgamesh is a giant among men and a formidable warrior, even as a boy. When his father the king of Rurk dies, Gilgamesh is forced into exile by the newly crowned Dumuzi, jealous of his prowess and fearful of his intentions.

In neighbouring Kis his fighting skills are honed to perfection, and when in time Dumuzi dies, Gilgamesh returns to be proclaimed king by the wily priestess Inanna, goddess of beauty. Together they rule Uruk, and prosperity descends upon the land.

However, the kingship is not enough to satisfy Gilgamesh’s gargantuan appetite for adventure, and his boredom is only relieved by the coming of Enkidu, a strange wild man who proves the king’s equal in combat. The two become closer than brothers, but when Gilgamesh incurs the wrath of Inanna, the gods conspire to tear them apart, and for Gilgamesh all that remains is his search for immortality.

In retelling the legend of the great Sumerian monarch, Robert Silverberg brings all his superb storytelling powers to a mesmerising tale of ambition, power and obsession, against the background of an ancient and fearsome world.

It is a thousand years from now.

The tenuous galactic empire humanity has cast across the skies depends for its very existence on hyperspace and the pilots who can ride its bizarre force-fields. And these pilots are gypsies. The Romany have come into their own. But there is a price: the legendary Romany Star. All the leverage the gypsies can bring to bear is used in the search for their ancestral home. Intergalactic blackmail? Of course. But also a statement of intent, romantic but implacable.

Who better to orchestrate a scam so colossal than Yakoub, once and future King of Gypsies? Sulking in luxurious exile, he has been planning his return to power and reminiscing over his extraordinary life. But when the moment of truth arrives, nothing seems to go according to (Yakoub’s) plan. All his ingenuity, every sacrifice (even his pride) may not be enough . . .

What if there were an Afterworld? Not Heaven or Hell in the conventional sense, but a place where everyone who has ever lived reawakens when they die, to live again and die again and live again, seemingly forever. This is the premise of Robert Silverberg’s brilliantly inventive new fantasy novel. The central character is the legendary warrior-king Gilgamesh, who has been in the Afterworld longer than almost anyone else save the Hairy Men from before the Flood, and who in recent centuries (insofar as you can count time) has seen it change beyond recognition, as the newly dead from industrial times import their machinery, their weaponry and their attitudes. Gilgamesh’s adventures in the course of the novel take him to the Afterworld realms of other quasi-mythical figures like Prester John and Simon Magus, bring him into contact with such figures from more recent history as Walter Ralegh and Pablo Ruiz (known to some as Picasso), and eventually send him in search of a gateway which is rumoured to exist somewhere in the land of the dead – a gateway which leads back to the land of the living.

Marcus King, ruthless entrepreneur and commercial giant, was a man obsessed. His obsession-staying alive! He used his millions to buy life from the bodies of others. Then someone devised a highly scientific plan to kill him-only for King to survive the attack, and plan his revenge. But who was the mastermind behind the assassination attempt?

Dale Markham, chief of local police, is quickly on the crime scene. But the case is so bizarre, with far-reaching international implications, that Security is also called in and special agent Steve Delmonte is assigned to work with the police.

Delmonte’s investigations uncover a tangled web of sadistic intrigue and he has to follows a trail of further murders all the way to the moon before the incredible truth behind the attack is revealed.

As a child of just seven summers, Gunnhild finds herself fascinated with the powers of a witch-woman who is a concubine of her father’s, a powerful Norse chieftain. She also finds another fascination in handsome and lordly Eirik, son of their king. When her mother dies, Gunnhild promises, “I will never yield”, and that, “through me, our blood shall flow greatly”.
Gunnhild has learned from her chieftain father the way the powerful use the weak. But there are other lessons and other power she seeks. Sent away to learn the magic of a pair of shamans, Gunnhild becomes a Spaewife – a knower of the Gods, a master in the ways of witchcraft and sorcery. Aided by her new abilities, Gunnhild marries Eirik. She is destined to become queen, and her magic is a fearsome complement to Eirik’s strength. But Eirik’s enemies are cunning, and Gunnhild is soon without his might.
If Gunnhild can keep the promise she made as a child to never yield, her family’s blood will flow greatly, and the sons she bore Eirik will each become a king.
Her own struggles, though, are far from over…

In the waning years of the Middle Ages, before Christendom had completely scoured the world of magic, both Faery and Man lived on Europe’s shores. This is the story of those last days: of the halfling children of the Liri king, who were of both realms but chose the one we call the other; of how they schemed and fought for survival, hounded from the Baltic to the ice caves of Greenland to the Mediterranean coast; of how they loved and how they died. It is the epic master piece, the adventure at once erotic, violent and magnificently sad, that Poul Anderson has always wanted to write.

Set in the misty time between the fall of the Roman Empire and the rise of our own age, The King of Ys chronicles the coming of Gratillonius, the Roman prefect who became a king.

Gallicenae continues that story to tell of Gratillonius’ nine queens and penetrate to the very heart of the legend of the King of Ys . . .

Over twelve generations the descendents of a space crash on a world completely covered in water had managed to adapt to their marine culture. Living in villages built on giant clumps of sea plants, they survived on the flora and fauna of the sea. But they have always been at the mercy of the kragen – gigantic squid-like monsters that prey on their fish flocks, and on them. The biggest of these is King Kragen, with whom the colonists can communicate, who has to be appeased. But one man has had enough of a life of slavery and sacrifice. But how can he convince his fellow men that King Kragen must be killed? And how can that be achieved in a world without weapons?

The Magnificent Showboats follows the farcical adventures of Apollon Zamp, owner of the showboat Miraldra’s Enchantment, and his troupe of acrobats, magicians and actors. Zamp is invited by the King of Soyvanesse to travel up the river Vissel to the distant city of Mornune, there to participate in a contest. A rich prize awaits the showboat captain who stages the most spectacular performance and succeeds in entertaining the king.

Prince Corum Jhaelin Irsei: the Eternal Champion.

With his plane at war with itself, thanks to the machinations and magic of Chaos, Prince Corum, his beloved Rhalina and the eternal companion Jhary-a-Conel must travel to the last five planes to confront Mabelode, the King of the Swords.

Joining forces with other aspects of the Eternal Champion – Elric and Ereköse – Corum must rescue Rhalina from the Chaos Lord’s minions before attempting to defeat the King of the Swords and free his plane from its madness. But the stakes are also personal for Corum, for the captain who commands the forces of chaos is the same savage Mabden who slaughtered Corum’s family…

From “one of the greatest writers of science fiction and fantasy who ever lived” (Stephen King) here is a masterpiece of fiction – a haunting, meaningful and at times erotic novel that describes a wonderous transformation that takes place in an American town when a charismatic, Christ-like figure mysteriously appears in its midst.
Godbody – sweetly innocent, as naked of guile as he is of worldly trappings – has returned to remind mankind of what it has lost. He will touch only a few lives before his preordained end, but they will be forever transformed. As one by one the members of a small rural town fall under Godbody’s spell, the burdens that had weighed down on them disappear, and a new vision of life as it can – and should – be suddenly reveals itself to them.

The Lyonesse sequence evokes the Elder Isles, is a baroque land of pre-Arthurian myth now lost beneath the Atlantic, where powerful sorcerers, aloof faeries, stalwart champions, and nobles eccentric, magnanimous, and cruel pursue intrigue among their separate worlds . . .

King Aillas of Troicinet defends the peace of the Elder Isles against both the Ska marauders who once enslaved him and the wicked King Casmir. While organizing the unruly barons in the frontiers of his land, Aillas goes out of his way to capture the lovely Ska noblewoman who once stung him with her disregard. When he gets separated from his men, his dream of forcing the lady’s recognition becomes the toil of dragging a defiant captive across lands governed by Casmir’s henchmen.

Meanwhile, the world of magic has gone on the move. The concentrated malice of the witch Desmëi has manifested as a green pearl, breeding lust and envy and death; and a sorcerer in Casmir’s employ abducts the princess Glyneth, in a bid to draw Aillas and friends on a hopeless rescue mission across a bizarre and deadly alternate world . . .



(First published in 1985)

The Lyonesse sequence evokes the Elder Isles, is a baroque land of pre-Arthurian myth now lost beneath the Atlantic, where powerful sorcerers, aloof faeries, stalwart champions, and nobles eccentric, magnanimous, and cruel pursue intrigue among their separate worlds . . .

When Princess madouc discovers that she is actually a changeling left by fairies in place of a baby boy, she sets out, with her servant and companion Pymfyd, to find her true identity. Madouc locates her mother, the fairy Twisk, easily enough, but her paternity poses a problem: Twisk is not certain who fathered her child.

Meanwhile, her uncle, King Casmir, attempts to conquer the whole island of Hybras, on which Lyonesse is located, and thwart the prophesy of Persilian the Magic Mirror that his sister’s son would one day rule. He is foiled at every turn by King Aillas of Troicinet and his son Dhrun, who is actually the child of the prophesy, but is older than expected because of a youth spent in the fairy shee (home), where time runs differently. A sly mixture of satire and epic, Vance’s medieval tale is a delightful conclusion to an epic fantasy trilogy.

Winner of the World Fantasy Award for best novel, 1990

THE EPIC FANTASY OF THE PEOPLE OF THE WIND CONTINUES . . .

Kieto’s destiny, set in the heavens, is to conquer the Land-of-Mists, the mysterious island discovered by Kupe, one of the great Polynesian voyagers. But he knows it won’t be easy: the wild native tribes, particularly the Scots and Picts, have two formidable advantages – iron and horses.

But Kieto has heard of a magnificent warrior race, the Maori, who live in another world and from whom he hopes to learn the secret of success in war. The gateway to this world is on the island of giants, and Kieto and his friends, Boy-Girl, Seumas and Dorcha, themselves taken years before from the Land-of-Mists, leave the safety of Rarotonga and embark on an epic voyage of discovery aboard THE PRINCELY FLOWER.

Pursued by sea-fairies, vengeful gods, power-hungry priests and, in Seumas’s case, by a murderously angry son, confronting their worst fears and supernatural horrors, the friends finally face the awesome wrath of the mighty Maori.

THE PRINCELY FLOWERS is the second wonderful volume of THE NAVIGATOR KINGS, set in the richly imaginative world of Polynesian life and myth.

In another world, somewhere in space and time, two countries – Bellogard and Chorny – are locked in perpetual war, conducted by magic. Each of the main members of the two countries’ courts – king, queen, prince, bishop, knight and squire – has their own form of magic, and special ways of moving magically. A war may continue for centuries, until one side succeeds in killing the other side’s king, at which point the whole world vanishes, only to reappear and have the cycle begin again. . .

Pedino is a young Bellogardian who becomes the queen’s squire and, as part of his training, is sent into a seedier part of the city to uncover a Chornian spy. During his adventures he meets and falls in love with a whore, Sara, who turns out to be a Chornian bishop’s squire. Pedino succeeds in killing the other Chornian bishop – a remarkable achievement for a mere squire; but in the manoeuvres which follow Chorny proves to have outwitted its rival, and Pedino’s whole world is threatened with extinction.

There have been many stories modelled on chess games, but none so ingenious and enjoyable as Ian Watson’s latest novel. And, as one would expect from Watson, the story of Bellogard and Chorny is only the beginning. When Pedino and Sara manage to escape the destruction of their universe, they find themselves in a series of even more bizarre worlds operating under still stranger rules, as they seek to discover the purpose of their existence, and the meaning of their universe. Queenmagic, Kingmagic is Ian Watson in sparkling, exuberant form.