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H.G. Wells’ great novel of the dangers of science describes a man cast out from society by his own terrifying discovery.

THE INVISIBLE MAN tells the story of Griffin, a brilliant and obsessed scientist dedicated to achieving invisibility. Taking whatever action is necessary to keep his incredible discovery safe, he terrorises the local village where he has sought refuge. Wells skilfully weaves the themes of science, terror and pride as the invisible Griffin gradually loses his sanity and, ultimately, his humanity.

Zarkon and his Omega Crew zoom into death-defying action!

Dead men. One after another. Rich. Famous. Powerful. And all defenseless against the invisible occult force that struck them down and left no trace of its satanic identity and devilish design.

The police were powerless. The governments of the world were struck with fear and trembling. And only Prince Zarkon, the Ultimate Man, and his devoted Omega Crew, could hope to stem the bloody flood of terror about to engulf all mankind.

But even the great Zarkon and his miracle men might have met their match, as the defenders of Good moved into shattering showdown with an eerie Empire of awesome Evil.

A mysterious invisible barrier suddenly enclose a small, out-of-the-way American township. The agency is a galactic intelligence intent on imposing harmony and co-operation on all peoples – but fear of the unknown reduces man to the most illogical behaviour.

The Solar System was imprisoned. Locked in a vast, invisible screen. Set there by something – or someone – but no one knew why…

And man, banned from the stars, turned inward to himself, to a world of carefully controlled thoughts and ideas, a world where it was forbidden to dream…

Stories from the darkness of space, and the planets around us . . .

This collection of short stories from legendary author John Wyndham takes us around the planets around Earth and the civilisations which might exist there. Is it as simple as Us vs Them, or are there things that humans do not understand yet?

This collection contains:
– Sleepers of Mars
– Worlds to Barter
– Invisible Monster
– The Man from Earth
– The Third Vibrator

A collection of Silverberg’s best short fiction, as selected by the author.

The 1950s: The Road to Nightfall, The Macauley Circuit, Sunrise on Mercury, Warm Man.

The 1960s: To See the Invisible Man, Flies, Passengers, Nightwings, Sundance.

The 1970s: Good News from the Vatican, Capricorn Games, Born with the Dead, Schwartz Between the Galaxies.

The 1980s: The Far Side of the Bell-Shaped Curve, The Pope of the Chimps, Needle in a Timestack, Sailing to Byzantium, Enter a Soldier. Later, Enter Another.

The 1990s: Hunters in the Forest, Death Do Us Part, Beauty in the Night.

The 2000s: The Millennium Express, With Caesar in the Underworld.

AWAKEN, TERROR!

When the first expedition descended to the bottom of the Atlantic in a perfected high-pressure diving bell, their speculation ran wild as to the wonders they would encounter in that unknown sea-bottom world.

But their wildest dreams did not prepare them for uncovering first, the stones of an ancient civilization, and second, the monstrous body of an inhuman creature that had been sealed beneath the waters for countless eons.

Then, at the height of their excitement, elation turned to horror. For they had brought back an abomination so old that the memory of it had been lost to man’s remotest ancestors. Shops were disappearing, men and women were becoming enslaved by invisible whips of mental mastery, and it began to look as if it might be beyond the powers even of modern science to stop something that had so successfully defied time and space.

Deep in the sounds, scents and shifting rhythms of the Amazon forest, a family have lost their seven-year-old child, stolen by the mysterious ‘Invisible People’, the tribe which has never been seen.
Through ten years their agonised search for him takes them beyond the world’s last great natural frontier into the cruel beauty of the Brazilian jungle.
When at last father and son do meet – in a dramatic and terrifying encounter – it is in the emerald forest, a place where the mythical and magical powers of primal existence must clash with the cold-hearted greed of modern man.

The logical outcome of the space race, and the preliminary step towards the Moo, was the manned satellite, the Big Wheel moving in a stable orbit about the Earth, integrating the data necessary for a landing on the Moon, and eventually acting as a fuelling station for the Lunar rockets.

After several failures, the station is ready, but even there, danger exists, unseen, unheard, invisible and terrible. Forced to exist in the belt of cosmic radiation surrounding the planet, men die within weeks from aplastic anemia. Seeking a solution to the problem, Doctor Paul Russell is sent up to the satellite and here learns of the two men fro the previous crew who vanished without a trace after spotting an unidentified spaceship in orbit further out from Earth than themselves.

The Collected Stories Volume 2: To The Dark Star (1962 – 1969)

Winner of multiple Hugo and Nebula Awards, Robert Silverberg is one of the all time greats of science fiction. A professional writer for more than half a century, his short story output has been prolific and exceptional in quality.

This series of nine volumes will collect all of the short stories and novella-length that SF Grand Master Silverberg wants to take their place on the permanent shelf.

Each volume will be roughly 150,000-200,000 words, with classics and lesser known gems alike. The author has also graced us with a lengthy introduction and extensive story notes for each tale.

Contents:
To See The Invisible Man
The Pain Peddlers
Neighbor
The Sixth Palace
Flies
Halfway House
To The Dark Star
Hawksbill Station
Passengers
Bride 91
Going Down Smooth
The Fangs of the Trees
Ishmael in Love
Ringing the Changes
Sundance
How It Was When the Past Went Away
A Happy Day in 2381
(Now + n, Now – n)
After the Myths Went Home
The Pleasure of Their Company
We Know Who We Are

These stories which have never been brought together before are taken from Joan Aiken’s earliest writing years in the 1950s and 1960s when she was working for the English short story magazine, Argosy where they were first published. They demonstrate her wide ranging stylistic ability, with subjects as diverse as a rented apartment that comes with a resident swan, a man who buys a girl in a crystal ball, an invisible man-eating tiger, or a psychiatric patient who can always, sometimes unfortunately, conjure up a 93 London bus.


All these ideas seem to pour out of an endless imagination, making bold use of eccentric and unexpected settings and characters, and at the same time demonstrating an evident delight in parodying a variety of literary styles from gothic to comedy, fantasy to folk tales selected from her incredible reading background. But Joan Aiken always repudiated the suggestion that she was “a born storyteller” she would always argue furiously that it was a craft, like oil painting or cabinet making that she had learned, practiced and developed over the years. She described this period of her life as a single-minded engagement with the writer’s craft; and her grasp of the short story form as the foundation of her literary career.

What is far from apparent from these wildly inventive and freewheeling tales, is that this was in fact a bitterly difficult period of Joan Aiken’s life, when not long after the end of the Second World War she was left widowed and homeless with two young children. Having made the brave decision to try and support herself and her family by writing, she applied for a job on this popular short story magazine. In many ways, as she often said subsequently, this period spent working at Argosy could not have been bettered, both as a wonderful distraction and consolation during a bad time, and as an unbeatable apprenticeship in the craft of writing.