Search Results for: insider,-the

Welcome to the Tomorrow Factory.

On your left, post-human hedonists on a distant space station bring diseases back in fashion, two scavengers find a super-powered parasite under the waves of Sunk Seattle, and a terminally-ill chemist orchestrates an asteroid prison break.

On your right, an alien optometrist spins illusions for irradiated survivors of the apocalypse, a high-tech grifter meets his match in near-future Thailand, and two teens use a blackmarket personality mod to get into the year’s wickedest, wildest party.

This collection of published and original fiction by award-winning writer Rich Larson will bring you from a Bujumbura cyberpunk junkyard to the icy depths of Europa, from the slick streets of future-noir Chicago to a tropical island of sapient robots. You’ll explore a mysterious ghost ship in deep space, meet an android learning to dream, and fend off predatory alien fungi on a combat mission gone wrong.

Twenty-three futures, ranging from grimy cyberpunk to far-flung space opera, are waiting to blow you away.

So step inside the Tomorrow Factory, and mind your head.

For eons, King Oblivion, Ph.D., was one of the most ruthless supervillains the world has ever known. As the CEO of the ISS (International Society of Supervillains) for half a century, he was personally responsible for numerous nefarious acts, including Nixon’s presidential election, stealing the country of Japan, Star Wars: Episode I-III, and Milli Vanilli, just to name a few.

Since his untimely (and inexplicable) passing, Matt D. Wilson, who was found rotting in one of Oblivion’s numerous dungeons, has discovered in his giant lair (located in the Earth’s mantle) what seems to be the early workings of the villain’s ultimate manifesto. Though in-depth research (and paper cuts), Wilson reviewed endless documents and has compiled numerous unedited chapters, email correspondences, and various threats which combine tell the “life story” of this anti-hero.

Supreme Villainy is an intimate look into the mastermind who once ruled the globe with an iron fist (and ray gun). For the first time ever, readers will learn of his birth (which has never been noted on record), rise to power, and domination of the world as we know it today. Revealed inside are never-before-seen notes, illustrations, and personal letters which, now collected, show a glimpse into the once-infamous villain’s uncompleted manuscript, and maybe a hint into who the real man was behind that horrible mask.

All around us, under most of humanity’s very noses, lurks a dangerous alien race. The Nafikh inhabit human bodies while visiting Earth, and an underground system designed to disguise and protect them from being discovered allows them to indulge their wildest and often violent urges. The circumstances of these brutal visits require the sacrifice of servs.

Servs are aliens themselves, created by the Nafikh to attend to their every need. Physically indistinguishable from humans, they are destined to live in pain, their very livelihood regulated by the Source, a powerful force of energy inside each of them that burns like a white-hot fire under the stress of their servitude.

Lucy is a serv who arrived a baby, and by chance was adopted by humans. She’s an outcast among outcasts, dwelling in both worlds but belonging to neither. For years she has been walking a tightrope, balancing between the horrors of her serv existence and the ordinary human life she desperately longs to maintain, her family unaware of her darkest secrets.

But when the body of a serv child turns up and Lucy is implicated in the gruesome death, the worlds she’s tried so hard to keep separate collide. Hounded by the police, targeted in the dog-eat-dog world of servs, she’ll find herself fighting to protect her family and the life she’s made for herself. Skinner Luce is Lucy’s story.

Top Gun heads to outer space in this throwback to the classic science fiction of Asimov, Clarke, and Heinlein.

Strapped in to artificial wings spanning twenty-five feet across, your arms push a tenth of your body weight with each pump as you propel yourself at frightening speeds through the air. Inside a pressurized dome on the Moon, subject to one-sixth Earth’s gravity, there are swarms of chiseled, fearless, superbly trained flyers all around you, jostling for air space like peregrine falcons racing for the prize. This was the sport of piloting, and after Helium-3, piloting was one of the first things that entered anyone’s mind when Borealis was mentioned.

It was Helium-3 that powered humanity’s far-flung civilization expansion, feeding fusion reactors from the Alliances on Earth to the Terran Ring, Mars, the Jovian colonies, and all the way out to distant Titan. The supply, taken from the surface of the Moon, had once seemed endless. But that was long ago. Borealis, the glittering, fabulously rich city stretched out across the lunar North Pole, had amassed centuries of unimaginable wealth harvesting it, and as such was the first to realize that its supplies were running out.

The distant memories of the horrific planetwide devastation spawned by the petroleum wars were not enough to quell the rising energy and political crises. A new war to rival no other appeared imminent, but the solar system’s competing powers would discover something more powerful than Helium-3: the indomitable spirit of an Earth-born, war-weary mercenary and pilot extraordinaire.

In 1987, the New York Times published their first front-page review of a science fiction anthology for a collection called In the Field of Fire, themed around the war in Vietnam. “Vietnam was science fiction,” the reviewer wrote, and writing about it through that lens found meaning in a war few understood.

This idea, that speculative fiction is a vital tool to understanding the inexplicable, is just as relevant nearly thirty years later. Deserts of Fire is a war-inspired anthology for the new millennium, because for many, the recent wars in the deserts of Iraq, Afghanistan, and the Middle East are just as slippery to grasp and difficult to understand as Vietnam was two generations earlier.

Inside Deserts of Fire are stories from a variety of bestselling and award-winning authors that start with the simple and modest ambition of making the reader feel strange about the recent past. Because when there are too many explanations, the truth won’t be found by merely choosing one side or the other. But rather, the truth is in the existence of the confusion itself.

In a world stripped bare of digital images and promotainment, unveiled with the audiovisual overlay of the ImmaNet, in an exposed world, a naked world, Amon Kenzaki awakens, lost and alone. He must now travel deep into the District of Dreams in search of Anisha Birla, the one person that might help him unravel the mystery of jubilee. But deprived of the apps and informational tools he’s depended on his entire life, traversing the largest bankdeath camp on Earth is no easy task.

Inside an ephemeral labyrinth of slowly-dissolving disposable skyscrapers clogged to the limit with the bankdead masses, Amon soon finds himself face to face with two dangerous groups: a luddite cult called the Borginans, who preach bizarre superstitions about electronic banking, and a supposedly humanitarian army called the Charity Brigade, whose mandate of protecting the bankdead conceals opportunistic motives.

Taking refuge in a hospital that strives to improve conditions in the camps, Amon begins to work towards its cause and reconciles himself to his newfound poverty. But when political forces threaten the community’s existence and the lives of its members, he is forced to team up with a vending-machine designer, an Olympic runner, a fertility researcher, a corporate tycoon, and many others to expose the heinous secret festering at the heart of the action-transaction market he once served.

In book two of the Jubilee Cycle, Eli K. P. William delves beneath the surface of his cyber-dystopian Tokyo to unearth the fate of outcasts trapped in its depths and shine a light on the financial obstacles blocking one individual’s efforts to help them.

When Trinidad was twelve, his Wiccan parents blew themselves up in an ecoterrorist attack that killed several Christians. Orphaned and disillusioned, he fled his home and his best friend Castile to soldier for the powerful Christian church inside the walled city of Boulder, Colorado.

Fostered by a loving priest and trained by a godless warrior, Trinidad learned the brutal art of balancing faith and war. He is the perfect archwarden, disciplined and devout. But when his Bishop turns up with a silver scar she claims is proof of angelic orders to crusade, Trinidad alone knows her story is a lie. The silver is from a mystical, ancient graveyard called the Barren, a place of healing reached only by Wiccan magic, a place that could turn Christianity on its head.

To accuse her outright would be treason, and gaining proof means committing heresy, both of which would be a death sentence for an archwarden. Instead, torn between the lure of powerful magic, his love for Castile, and his vows to defend the Church, Trinidad secretly conspires with a violent tribe of ancestor-worshipers and a Wiccan coven to stop the crusade. But as everyone he trusts is mired in betrayal and bent on vengeance, he soon realizes no amount of righteousness can stop the slaughter of thousands.

A COMIC SCIENCE FICTION MASTERPIECE!
In the spirit of Monty Python, Arthur Schopenhauer and Douglas Adams, Striped Holes is science fiction with a sense of humor.
Sopwith Hammil might be the nation’s top chat-show host but his peace of mind is shattered when a time traveling bureaucrat lands on his couch. To save his life and the human race (They’re turning the Sun off!), Sopwith must find a wife inside three hours. Turns out it’s not that easy, Soppy.
Meanwhile, popular astrologer and certified lifesaver O’Flaherty Gribble, a favorite guest on Sopwith’s show, has discovered the Callisto Effect and how to build striped holes. And in a future that makes Nineteen Eighty-Four look like Brave New World or vice versa, beautiful Hsia Shan-Yun is about to have her brain scrubbed for knitting one of those striped holes, with frightful consequences. But luckily, O’Flaherty finds himself seated on a plane next to God. Tighten your belt, it’s that kind of novel.

An instant cult classic upon first publication, Suzette Haden Elgin’s Native Tongue trilogy has earned wide critical acclaim, shocking and captivating a loyal readership among science fiction and women’s literature audiences alike.

Sequel to the enormously popular Native Tongue, The Judas Rosecontinues Elgin’s gripping vision of a frightening, male-dominated world where the women of Earth are virtually enslaved. Once again, this group of women-and the nonviolent yet transformative power of language-is called upon to challenge Earth’s violent, patriarchal order. Their revolutionary tool is Laadan-a secret women’s language created to free them from men’s control and make resistance possible for all women.

In The Judas Rose, the time has come to take Laadan from underground and spread its revolutionary power to women everywhere-in part, through a group of nuns inside the Roman Catholic Church. But when a handful of horrified priests uncover the women’s sabotage they move to stamp it out with an undercover female agent of their own.

Link Denham needs a job. Any job.

When he’s offered the position of navigator on board the leaky, rickety Glamorgan, he takes it without asking too many questions. The destination? A planet that has barely been contacted in two hundred years, in a dystopic system, isolated from the rest of the galaxy.

What he thought would be a simple job quickly turns into something far more complicated, as he finds himself embroiled in a complex web of treachery, double-crossing and alien politics. And what of this infamous machine the natives have, which can replicate anything put inside . . . ?

Murray Leinster was a prolific figure in pulp fiction, writing short stories and novels across many genres. The Duplicators is a science fiction romp in his characteristic style, and a wonderful example of 1960s pulp science fiction.

Space Tug by Murray Leinster is an independent sequel to the author’s popular Space Platform.

Joe Kenmore heard the airlock close with a sickening wheeze and then a clank. In desperation he turned toward Haney. “My God, we’ve been locked out!”
Through the transparent domes of their space helmets, Joe could see a look of horror and disbelief pass across Haney’s face. But it was true! Joe and his crew were locked out of the Space Platform.
Four thousand miles below circled the Earth. Under Joe’s feet rested the solid steel hull of his home in outer space. But without tools there was no hope of getting back inside. Joe looked at his oxygen meter. It registered thirty minutes to live.

Rachel’s in trouble. She’s a ticking bomb. A couple of co-workers bullied her into stealing a radical new drug from their employer, and now it’s lodged inside her. They’re watching her like hawks and her time’s running out.

John Bishop runs security for the company. As a father who once lost a teenaged daughter to an accidental overdose, his drive to hunt down the thieves and rescue their victim grows more intense with every lost minute. He can never bring his own kid back. But he can save someone else’s.

Which is fine until the company realises that if the swallowed package bursts and Rachel dies, their secrets are kept safe and their problem goes away.

Though Bishop’s on the trail, he’s an easy man to cut loose and discredit. But now he’s Rachel’s only hope. Either the package will burst, or the boys will cut her open to get it. They’re so convinced it will make them rich that they’ll kill anyone who tries to take her, and hunt down anyone who succeeds.

It can’t end well. For somebody.

Kiarda lives in a magic-laced land where peace is guarded so fiercely that those who train as warriors are outcast . . . until the arrival of a well-trained foreign army bent on conquest and determined to use everything in their power, including mages trained in the deadliest of the six magic arts: the magic of destruction.

Kiarda should have been spirit-linked to a fox, but the cub died at the moment of their birth. Now that spirit lurks deep inside her, and at the time of her greatest need, it could prove her greatest ally . . .

The acclaimed science fiction author Brian M. Stableford returns with the final book in his trilogy about a planet that contains thousands of worlds inside it – and the one man who will do anything to penetrate its secrets. The conflict between the Isthomi and Scarid races and the surface dwellers of Asgard had come to a halt, but not an end. Forces are at work on all sides to attempt to gain the upper hand in the struggle to control Asgard, for control of Asgard’s heart could mean total power over the planet itself, and all who live in it. At the middle of the struggle is Michael Rousseau, who must penetrate the very core of the planet itself – both in reality and in another dimension altogether – to save Asgard and all who dwell in it, before it’s too late,

Telling the story of a dying Earth, The Night Land begins with a man from the 17th century who, mourning the death of his true love, is given a vision through the eyes his future incarnation. In that distant time Earth is only dimly lit by the remaining glow of the dead Sun. The last millions of the human race cluster together inside the Last Redoubt, a huge metal pyramid, and are set upon by mysterious forces from the dark outside. Leaving the protection of their refuge means certain death, but our narrator makes mind contact with a survivor in a forgotten Lesser Redoubt. He must journey alone through the evil darkness to find her, knowing that she is the reincarnation of his past precious love.

The Vampyre: A Tale is based on a fragment written by Lord Byron in 1816 during a gathering of author friends who, trapped inside due to bad weather, decided to write ghost stories. It was the first vampire story in English prose, and as such had a wide-ranging influence, almost single-handedly creating the now-popular image of the vampire as an aristocratic seducer.

Pel Brown has troubles in his basement. But it’s not water leaking in – it’s magic. Sword-carrying barbarians are spilling through, demanding that Pel help them defeat Shadow, a dark force taking over their world.

Meanwhile, on the other side of town, a spaceship has crashed in Amy Jewell’s backyard, and the aliens want Amy’s help against the Shadow seeking to conquer their world. When Pel and Amy go through the basement portal into the world of magic, the Shadow attacks and traps them inside.

Now Pel and Amy find themselves entangled in escapades that will make them into heroes … or corpses.

Solid land inside a cloud of ‘star dust’ – where no solid land should be. And the weird voices – where are they coming from?

Forced down on a minor star galaxy, Kemlo and his friends of Satellite Belt K discover a secret of Space which gives scientists information for which they have been searching for years.

Being lost in space was no new experience to John Grimes, whose career as an interstellar officer had brought him into many such dilemmas. But being lost inside a colossal alien spacecraft had no precedent.

Complicating the matter was the discovery that the very universe was not their own but an alternate and that their captor seemed to be the omnipotent force of that entire other cosmos.
As Grime’s only companion was the comely policewoman, Una Freeman, the fate that the Alien God selected for them required the creation of a Garden of Eden. But there were two serpents in this one – both of them bicycles!

They came out of the great abyss which lay around the Earth, from the planet of a star so distant that it could not be seen with the naked eye. Their purpose was survival and the conquest of Earth. They were alien and possessed a mysterious force which lay at the very origin of human comprehension; the ability to enter into a man’s mind, to make him think the thoughts they chose, to make him hear and see and feel the things they wanted.

Against such a force there seemed no defence; for who could say that the man or woman by his side was not motivated by one of these creatures? Who could say that his own thoughts and senses belonged to him and not to some ‘thing’ seated in some alien way inside his brain?

“My God!” he yelled. “What’s happening now?” Stevens stared. Then he started abruptly to his feet. Even afterwards, when he looked back on the incident, he could never actually decide what really happened. He had a persistent, oddly unshakable memory of a man flowing suddenly into liquid.

Inside the blue and gray uniform of the Interstellar Passenger Service, the man began to melt, to change into a thick gooey substance that dripped and trickled away between the rising pillars of steel. Desperately, he fought down the rising sense of nausea that tugged at the muscles of his stomach. The picture was so utterly impossible that he screwed his eyes tightly to shut it out of his mind. When he looked again, there was nothing there and Blair was looking across at him, his jaw slack and an expression of stark disbelief in his dark eyes.

The mysterious disintegration of the planet Mercury presaged mutational changes in the solar system. Next, the Moon followed Mercury into oblivion, bombarding Earth with giant meteors and causing more earthquakes. Then a giant metal globe that had apparently been buried inside the Moon took up an orbit of the Earth. The new satellite is an alien spaceship carrying the survivors of a super scientific race forced to abandon their own world to emigrate to our solar system. The aliens seeded the then primeval Earth with life cultures in their own image, and then placed themselves in suspended animation whilst evolution took place. They have awakened to assist humanity to avert the mutational danger now facing the remaining planets…

So, just how was Tarzan created? Eager to know the inside story about the legendary John Carter and the amazing cities and peoples of Barsoom? Perhaps your taste is more suited to David Innes and the fantastic lost world at the Earth’s core? Or maybe wrong-way Napier and the bizarre civilizations of cloud-enshrouded Venus are more to your liking? These pages contain all that you will ever want to know about the wondrous worlds and unforgettable characters penned by the master storyteller Edgar Rice Burroughs.

Richard A. Lupoff, the respected critic and writer who helped spark a Burroughs revival in the 1960s, reveals fascinating details about the stories written by the creator of Tarzan. Featured here are outlines of all of Burroughs’s major novels, with descriptions of how they were each written and their respective sources of inspiration.

Deep inside a palace on the edge of the world, the orphan Nepenthe pores over books in the royal library, translating their languages and learning their secrets. At sixteen, she knows little of the outside world. But when a young mage gives Nepenthe a book that has defied translation – a book written in a language of thorns – it speaks to Nepenthe’s soul, and becomes her secret obsession. As the words escape the brambles they reveal themselves – and begin to reveal Nepenthe’s destiny …