Search Results for: for-love-of-mother-not

When Meg Frazer’s actress mother is killed in a Hollywood accident, nineteen-year-old Meg finds it hard to adapt to life in Britain with her cold, distant father . . . and at night she is haunted by a strange dream of a face which she is sure has something to do with her past.

Meg follows a clue from the past to a remote Cornish Village. There she becomes involved in a nightmare web of terror and suspense . . . She meets a young man called Toby, who is different from her staid fiancé, but how is he wrapped up in the secrets she is unravelling?

First written as a short suspense story in the 1960’s, this YA romantic thriller went on to win an Edgar Allan Poe Award from the Mystery Writers of America for Joan Aiken in 1972

“A cunning thriller romance, with the ever popular suspense and terror… good holiday reading for the not so bookish” Elaine Moss, Times

“Young, beautiful, talented, engaged to a handsome and successful stockbroker, she should have been content to stay in London. But irresistibly Meg was drawn back to Penlaggen…back into a forgotten past… And waiting for her was a man who exercised a strange and fearful power over her…and a secret that led her ever closer to danger” Fiction Database

“The suspense is wonderfully sustained and leads to a terrifying climax, and there is even a satisfying love story” Publisher’s Weekly

“A dream has haunted nineteen-year-old Meg for ten years, ever since her mother’s death. Now engaged and determined to exorcise the dream before her marriage, Meg drives to the remote Cornwall village of Penleggen where the author’s gift for direful scene and gripping incident takes control…the physical danger mounts as Meg’s psychological mystery is solved and a literate thriller gathers momentum” Kirkus review

A crime writer’s family witnesses a real-life murder – the neighbourhood just got dangerous…
Perfect for fans of KNIVES OUT

‘There was never anyone else like Craig Rice’ NEW YORK TIMES

Growing up with a crime writer for a mother leaves the Carstairs family with a talent for detection. So when they witnesses a neighbourhood murder, they launch their own investigation. And why not? They know everything about baffling mysteries from reading their mother’s books, the publicity could do wonders for her sales, and then she and a handsome detective could fall in love. It’s too perfect for words.

Marion’s too busy wrapping up the loose ends of her latest book for the inconvenience of a real crime. But what’s surfacing in the shadows of the house next door is not quite as predictable as fiction: accusations of racketeering, kidnapping and blackmail – and much more…

Set several years after RAINBOW BRIDGE, England is ruled by a foreign power. Heidi has been her parents’ carer for many years, but when her mother apparently murders her father she is sent to work as an Indentured Teen in a remote coastal village.

As she explores her new home and its mysteries, Heidi is convinced of her mother’s innocence, and is determined to prove it. What secrets does the village hold? Are the other teenagers friends or foes? What creature creeps through the attics at night, and what power do the Carron-Knowells hold over the rest of the village’s inhabitants?

This is the sixth book in Gwyneth Jones’ critically-acclaimed BOLD AS LOVE series.

Early in the 21st century, after the Great Recession, poet and young mother Maggie Roche is harassed by a lovely woman, Sriyanie, and a famous neuroscientist, David Elfield. She doesn’t know it yet, but she is about to become history’s first time traveler. When agents from the far future attempt to kill her, in baffled fury she slingshots herself into the 7th millennium. Instantly she’s on the run from the Ull Lords and their virtual reality devotees. These superbeings are cyborged humans constructed to live forever, with the ambition to rule the universe.

Maggie is having none of this. Encountering an earlier version of Sriyanie, her fated future role in the formation of the multiverse falls upon her shoulder like a thunderous lightningbolt. A Being at the end of time she calls the Something wages endless war with its foes, the Ull Lords. Torn from her beloved child and her own time, Maggie must choose whether to accept this alienating path into an alternative cosmic history fit for a poet and a free woman.

Hidden away from the world by his mother, the powerful sorceress Heloise Oliver, Pierce has grown up working in her restaurant in Desolation Point. One day, unexpectedly, strangers pass through town on the way to the legendary capital city. Look for us, they tell Pierce, if you come to Severluna. You might find a place for yourself in King Arden s court.

Lured by a future far away from the bleak northern coast, Pierce makes his choice. Heloise, bereft and furious, tells her son the truth: about his father, a knight in King Arden s court; about an older brother he never knew existed; about his father s destructive love for King Arden s queen, and Heloise s decision to raise her younger son alone.

As Pierce journeys to Severluna, his path twists and turns through other lives and mysteries: an inn where ancient rites are celebrated, though no one will speak of them; a legendary local chef whose delicacies leave diners slowly withering from hunger; his mysterious wife, who steals Pierce s heart; a young woman whose need to escape is even greater than Pierce s; and finally, in Severluna, King Arden’s youngest son, who is urged by strange and lovely forces to sacrifice his father s kingdom.
Things are changing in that kingdom. Oldmagic is on the rise. The immensely powerful artifact of an ancient god has come to light, and the king is gathering his knights to quest for this profound mystery, which may restore the kingdom to its former glory or destroy it…”

The King’s Rider Justin has been dispatched to watch any suspicious activity at the convent that houses the fanatical Daughters of the Pale Mother. Worshippers of the moon goddess, they believe that all magic-wielding mystics are evil. Yet, in their midst, a young novice named Ellynor possesses the gift of healing and the ability to move through the night unobserved. Assuming the guise of a stablehand, Justin befriends Ellynor – and love blossoms between them. And when he discovers her magical talents, Justin will risk everything – his own secret, the trust of his friends, even his very life – in order to save her…

The four novellas in Quatrain are set in worlds of Archangel, Heart of Gold, Summers at Castle Auburn, and Mystic and Rider. “Flight” follows a former angel-seeker who used to be in love with the Archangel Raphael and now is determined to keep her beautiful niece from making her same mistakes. “Blood” is the story of a fierce young gulden man who comes to the city to seek his mother, whom he hasn’t seen since he was a boy and she ran away from his abusive father. In “Gold,” a crown princess escapes the hazards of war by hiding among the fairylike aliora, where she encounters an altogether different sort of danger. And in “Flame,” the mystic Senneth uses her magic to save a little girl, an act that wins her new friends but puts her own life at risk.

Since the day her father’s fishing boat returned without him, Peri and her mother have mourned his loss. Her mother sinks into a deep depression and spends her days gazing out at the sea. Unable to control her anger and sadness any longer, Peri uses the small magic she knows to hex the sea. And suddenly into her drab life come the King’s sons-changelings with strange ties to the underwater kingdom-a young magician, and, finally, love.

A race of octopoid aliens visits earth to restore man’s dying beliefs, with spaceships containing the very Gods themselves. In the future the rich are allowed a four week holiday – into their own futures. A soldier wounded at the front finds his memories too terrifying to live with once his government-approved drugs are withdrawn. A young girl is convinced that mother-earth is male and dedicates her life to consummating her love for him. God is dead and the Devil makes an offer for the real estate of heaven…

These dark visions of the future by James Tiptree Jr. are a vivid, sometimes frightening foretelling of what may happen.

A collection of worlds of wit and wonder, including:

“AND I AWOKE AND FOUND ME HERE ON THE COLD HILL’S SIDE” – Man seeks to get into bed with anything new and different, or die trying. But when the new and different was not human…would he die trying?

“THE MAN WHO WALKED HOME” – The first-time astronaut, stuck in the far future, slid ever so slowly toward a present whose past was his future and whose future was his past…

“I’M TOO BIG BUT I LOVE TO PLAY” – If genuine aliens are to communicate meaningfully, one must make himself into an analogue of the other. But how can you tell the difference between what is human – and what is merely identical?

Contents:
And I Awoke and Found Me Here on the Cold Hill’s Side (1972)
The Snows Are Melted, the Snows Are Gone (1969)
The Peacefulness of Vivyan (1971)
Mamma Come Home (1968)
Help (1968)
Painwise (1972)
Faithful to Thee, Terra, in Our Fashion (1969)
The Man Doors Said Hello To (1970)
The Man Who Walked Home (1972)
Forever to a Hudson Bay Blanket (1972)
I’ll Be Waiting for You When the Swimming Pool Is Empty (1971)
I’m Too Big but I Love to Play (1970)
Birth of a Salesman (1968)
Mother in the Sky with Diamonds (1971)
Beam Us Home (1969)

They called him Flinx…

He was just a freckle-faced, redheaded kid with green eyes and a strangely compelling stare when Mother Mastiff first saw him on the auctioneer’s block. One hundred credits and he was hers.

For years the old woman was his only family. She loved him, fed him, taught him everything she knew – even let him keep the deadly flying snake he called Pip.

Then Mother Mastiff mysteriously disappeared and Flinx took Pip to tail her kidnappers. Across the forests and swamps of the winged world called Moth, their only weapons were Pip’s venom…and Flinx’s unusual Talents.

The house… always growing, adding to itself, blooming, decaying, becoming reborn…

But Susan doesn’t live in the house of Catherine, her grandmother. Instead, she grows up in a one parent family, with her mother, the glamorous and determined Anne. And Catherine, old forbidding and unkind, is only a nuisance. When Catherine dies, no one mourns.

Why is it then that whenever some new problem swamps Susan’s far from calm existence, she is driven to revisit the house? As when her mother takes up with the worrying Wizz. Or years later, at the end of a deeply-felt and broken love-affair of Susan’s own.

The house is always changing. As if at last it must achieve some irresistible transformation.

Frankly, there is something uncanny about the house.

Isn’t there.

As she says of herself, Jay is a ‘chancer’. But she finds she is out of her depth when she meets the beautiful artist, Jilaine Best.

Jilaine has everything – looks, talent, and wealth – even so her life is imperfect. In adolescence she lost her mother in circumstances both mysterious and painfully unpleasant. Now, unable to conceive, Jilain’s one wish is for a baby – even if another woman gives birth to it.

Jay can’t resist this opportunity – she tells Jilaine that she, Jay, is pregnant. And so the great lie begins.

It seems easy enough – for there conveniently is the handsome young cab driver, only too willing to make love with her… But the spun web is already tangling. Can anything result from it but danger – and destruction?

Searching for the beautiful witch Jemhara, the magician Thryfe at last finds her in the reinvented town of Kandexa, where a strange and passionate wooing begins. From this union a son is born – golden-skinned, red-haired, blue-eyed – and thus the Lionwolf returns to the world of men.

Unaware of this birth, his original mother the goddess Saftri has begun her own search for her lost love Athluan . . . while elsewhere the black and shining ones, the Children of Chillel, seek to establish claims on the ice-locked planet. Beyond, over, under all, the evil god Zzth rages and plans the ruin of these separate and immortal lives.

Strafed by the tumult of such conflicting powers, the be-wintered realm of mortals can only wait to learn its destiny.

Almost a set of short stories, this novel breaks into discrete episodes, centered on identity, love, and death. Jaqe has no identity until she meets Laurie, introduced and named by Mother Night; in that moment, she knows herself, and that she loves Laurie. But once Mother Night has become part of their lives, Laurie and Jaqe and their daughter Kate cannot live as other people do. Knowing Death, inevitably each of them seeks to use the knowledge, to bargain with Death, and to change the terms in the balance of life and death in the world. Pollack’s characters, major and supporting, living, dead, and divine, are memorably human. As she transplants myths and folklore into a modern setting, she gives new life to old tales and a deeper meaning to a seemingly simple world.

Winner of the World Fantasy Award for best novel, 1997

In the near future, the debt-laden U.S. owns a technology that renders it “the world’s best-defended Third World country.” The only real outer-space planning is in Common Europe, so young American “space cadet” Jerry Reed goes to work in Paris. He falls in love with and marries Soviet career bureaucrat Sonya Gagarin and the story jumps ahead 20 years, blending world events with a focus on their family. Sonya’s star has risen with the Euro-Russians’ while Jerry has been stymied by pervasive anti-Americanism. Daughter Franja has her father’s space fever and enrolls in a Russian space school; son Bob, fiercely curious about an earlier, admired America before it was run by xenophobic “Gringos,” enters Berkeley. Ten years later the U.S. is a pariah, Euro-Russia the pet of the civilized world and the Reeds scattered – politics forced Jerry and Sonya’s divorce, Franja speaks only to her mother and Bob is trapped in “Festung Amerika.” A series of odd, occasionally tragic events brings the family (and the world) together. Despite some tech-talk this is not science fiction: the first two-thirds of this hefty book is chillingly logical, if sometimes very funny, and while the “happy” ending may seem forced, Spinrad ( Bug Jack Barron ) gives us a wild, exhilarating ride into the next century.

It is hard to say how it started – all the unexplained little signs of a new baby about the house in ‘The Silent Cradle’ – but soon none of the O’Bannons could deny that there had been a highly irregular addition to the family. In ‘Max Haunting’ a middle-aged hippie, preserved almost intact from the Sixties, starts showing up on the doorsteps of his old friends and loves who, in acquiring jobs and furniture, have ‘sold out’ rather less than he thought. Hauntings of curious varieties continue in other stories: the sort manufactured out of glass by a man who thinks his godly wife deserves a miracle; the visitation of a mother’s cruelty into the mind of her daughter as she confronts the frustrations of coping with her own child; the specters of opportunities lost or spurned which nag to be laid, like ghosts.



Elsewhere Leigh Kennedy considers the impulse of cannibalism in a future world whose greed has induced ecological upheaval, and the phenomenon of speaking in tongues as investigated by a sociology professor. She views the world through the eyes of a victim of seizures and of a primatologist whose devotion to apes has gone a bit too far.