It is hard to say how it started – all the unexplained little signs of a new baby about the house in ‘The Silent Cradle’ – but soon none of the O’Bannons could deny that there had been a highly irregular addition to the family. In ‘Max Haunting’ a middle-aged hippie, preserved almost intact from the Sixties, starts showing up on the doorsteps of his old friends and loves who, in acquiring jobs and furniture, have ‘sold out’ rather less than he thought. Hauntings of curious varieties continue in other stories: the sort manufactured out of glass by a man who thinks his godly wife deserves a miracle; the visitation of a mother’s cruelty into the mind of her daughter as she confronts the frustrations of coping with her own child; the specters of opportunities lost or spurned which nag to be laid, like ghosts. Elsewhere Leigh Kennedy considers the impulse of cannibalism in a future world whose greed has induced ecological upheaval, and the phenomenon of speaking in tongues as investigated by a sociology professor. She views the world through the eyes of a victim of seizures and of a primatologist whose devotion to apes has gone a bit too far.
Book four in the series which relate the story of Kirth Gersen as he exacts his revenge on five notorious criminals, collectively known as the Demon Princes, who carried his village off into slavery during his childhood.
Muphormosy, a disease not unlike leprosy, has ravaged the first settlers on the planet Tezcatl. Generations later, their similarly emaciated descendants live in a compound where they are isolated from the planet’s normal inhabitants. The new kommissar of the compound, Lucian Yeardance, cares for his charges and alleviates their suffering with the narcotic heartsease. despite the open revulsion the normal inhabitants show for the maimed men and women, Luican determines to find out what the dread disease really is. Still, he is unprepared for the appalling discovery he makes: except for the open lesions and missing limbs and digits, not one of the muphormers shows a sign of any disease.
They woke up to the smell of danger. No one could see it. None of them could hear it. But it was there. Lurking… intangible… inaudible… invisible. The space around them was alive with it. They breathed it into their lungs. It crept through the pores of their skins. It was the dreaded presence of X the Unknown.
It is the year 2450. Humanity is scattered among the stars, which teem with intelligent life, while the home world has been destroyed by an inadvertent catastrophe two hundred years before. Thus all Earthmen are exiles, and Earth itself is only a memory. Hydros is a world of great complexity. It has almost no landmass, only a great globe-encompassing ocean with occasional tiny islands. Its seas swarm with apparently intelligent life-forms of a hundred kinds, and one – a bipedal humanoid form – has created a kind of land for itself: floating islands, woven from sea-borne materials, buffered by elaborate barricades against the ceaseless tidal surges that circle the planet. To Hydros have come an assortment of Earthmen. For them it’s a world of no return: having no form of outbound space transportation. This brilliantly inventive novel tells their story, as they travel across the planet’s endless ocean in search of the mysterious area from which no human has ever returned – the Face of the Waters. (First published 1991)
Riverworld was a planet of Eden whose people possessed the power of dreaming the future. Kyreol, daughter of a Healer, pierced the vision veil to discover the ultimate truth – that her home world unknowingly hosted the way station of a vast interstellar civilisation. An evil star shone on Kyreol’s first mission as an interplanetary agent. Her ship fell out of space, cracking on a lonely, mysterious moon. Rising from its endless plains was the white city – awesome, abandoned, eons-dead – a silent world of secret wonders. Only her prophetic dreams linked Kyroel to Riverworld, but she was hopelessly marooned light-years away. And she was not alone…
After laboring for thousands of years, the people of Earth, fleeing ecological disaster, have built a new, clean, stable world on a worldwide platform erected over the entire land surface of the Earth. Everything is going well–except for Carl Magner, the man who’s been having bad dreams. He shouldn’t be having dreams at all, because dreams have been banished from the society of the Euchronian Millennium, but somehow he is, and his dreams are showing him the “Underworld.” The real surface of the Earth, the Underworld that the Euchronian Millennium has left behind, still maintains life, human and otherwise, life that’s adapted to a world without sky or sun, still evolving in response to extreme environmental challenges. Dreams are only dreams, but they’re a provocation nevertheless, not merely for Carl Magner, but for the whole of Euchronian society. Can Heaven be truly Heaven, if Hell still festers in its entrails?
In the year 2794, the greatest civilisation in Earth’s history, ravaged by over-population and lack of food, faces almost certain destruction. A handful of men and women struggle desperately to avert the coming holocaust, but they seem doomed to failure. And even if they succeed, Earth will never be the same again . . .
It started as a harmless practical joke. But then the real nightmare begins…John Straker is the neighbourhood bogeyman. Hideously disfigured, he hides himself away from the rest of the world – until the night when a group of children set fire to his house and reduce it – and its owner – to ashes. Mr Bad Face has been well and truly laid to rest. Or so the children think… They’re grown up now and they’ve struggled hard to leave the bad dreams behind. Then, without warning, a figure from the past casts his shadow across the present. Mr Bad Face is back – and he wants revenge.
Tanaquil, a young mender, and her familiar come face to face with her half-sister, Lizra, who forces Tanaquil to make a perilous choice between siding with Lizra in her quest for conquest or risking her terrible anger.