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A chilling and mysterious voice becomes audible to Sanie shortly after she and her husband Jackson move into the decaying antebellum mansion that is the Bullard ancestral home in rural South Carolina. At first, she wonders if the voice might be a prank played by Jackson’s peyote-popping brother Will or his equally off-kilter sister Louise.

But soon Sanie discovers that the ghostly voice is merely a single piece of the decadent, baroque puzzle that comprises the Bullard family history, rank with sensuality, violence, repression and madness.

Three travellers find six very different worlds await their choice – if they have the courage to leave Eden…
On awakening in an idyllic tropical paradise, Rex is disoriented and possibly afflicted with amnesia. He knows his name, but the particulars are curiously missing. He spends his first week exploring, and discovers that his Eden-like paradise is surrounded by a huge unscalable wall 50 miles in circumference. Furthermore, there are six gateways at roughly equal intervals, but there is no way to climb up there and see where they go…

Immortal, unchanging, the external survivor, Nathan Brazil had tired of his long duty as the guardian of the Well World and had enlisted Mavra Chang, space pilot and adventurer, as his companion and equal, sharing with her some of the godlike power to control the universe’s destiny.

But over the millennia, Brazil and Chang had become estranged. When they were once again summoned to the Well World, they came as bitter rivals, each racing to be the first to reach the Well of Souls. What they found, however, was a Well World changed in ways it should not have been. Evolution on the Well World seemed to have diverged from its preset course- and that was impossible.

Brail sensed that some force beyond local animosity was at work, and he was determined to find out just what that force was and how it could have changed the elaborate programming of the Well of Souls. But the changes that had so affected the Well World were beginning to change the unchangeable Nathan Brazil – and if the watchman himself could altered, the universe might be left without any guardian at all . . .

A daring novel of mankind’s strange and startling destiny. . .

Here is a novel to equal Arthur C. Clarke’s great work, Childhood’s End. It tells with frightening clarity of a desperately stricken Earth – wracked by overpopulation and plagued by famine and despair.

It tells, too, of a new breed of men and women – twenty-first century lotus eaters caught up in a mysterious euphoria which will ultimately threaten all life on this planet: the drug-induced world of ‘happy dreams’. Do these ‘happy dreamers’ herald the end of the human race – or the next extraordinary step in the evolution of Man?


First published in 1963.

Julian West had been put into a hypnotic trance and placed in a sealed room. Then the house burned down and he was forgotten…until he awoke forty years later. It was the year 2000, and it seemed like Utopia.

But would it be Utopia for Julian West? He was a man of the past, totally unable to adapt to the unbelievable social, political and cultural changes; totally unable to assimilate the explosive advances in all branches of knowledge.

Julian West was a child, lost among the wonders of the Twenty-First Century – but he would have to adapt and learn if he wanted to survive.

Although largely, and unjustly, neglected by a modern audience, Bayley was a hugely influential figure to some of the greats of British SF, such as Michael Moorcock and M. John Harrison. He is perhaps best-known for THE FALL OF CHRONOPOLIS, which is collected in this omnibus, alongside THE SOUL OF THE ROBOT and the extraordinary story collection THE KNIGHTS OF THE LIMITS.

THE FALL OF CHRONOPOLIS: The mighty ships of the Third Time Fleet relentlessly patrolled the Chronotic Empire’s 1,000-year frontier, blotting out an error of history here or there before swooping back to challenge other time-travelling civilisations far into the future. Captain Mond Aton had been proud to serve in such a fleet. But now, falsely convicted of cowardice and dereliction of duty, he has been given the cruellest of sentences: to be sent unprotected into time as a lone messenger between the cruising timeships. After such an inconceivable experience in the endless voids there is only one option left to him. To be allowed to die.

THE SOUL OF THE ROBOT: Jasperodus, a robot, sets out to prove he is the equal of any human being. His furturistic adventures as warrior, tyrant, renegade and statesman eventually lead him back home to the two human beings who created him. Question: Does he have a soul?

THE KNIGHTS OF THE LIMITS: Nine brilliant stories of infinite space and alien consciousness, suffused with a sense of wonder…

Kaeti and her companions inhabit a strange world; a ‘theatre of the mind’ where the unexpected is commonplace, where ghosts, vampires and even the odd goddess may be encountered at any turn. It is a tribute to the author’s skill that Kaeti’s world seems, at all times, as real as our own, sometimes uncomfortably so. Whether satirising the mores of the Thames Valley or exposing the curious antics of the publishing world, Roberts is equally at home. He explores the gamut of human emotions; high comedy alternates with terror, the most delicate of love scenes are set against the iron dreariness of Death Row. Always though, at the focus, is Kaeti; witty and resourceful, resilient and vulnerable by turns. Some characters may change their roles with lightning speed, like the players i n a repertory company – but Kaeti remains. As does London. Robert always displays a knowledge of a city haunted by its own past, and a love for its highways and byways, that will surprise old fans and win him many new admirers.

Welcome to a haunted world; the world of Keith Roberts’ powerful and unique imagination. These stories show Roberts’ fascination for the curious and unclassifiable; and as ever, his mastery of character and detail. ‘Susan’ introduces the reader to a schoolgirl with awesome psychic powers; but the sensitive treatment turns a shock situation into a brilliant fable, while ‘The Scarlet Lady’, predating Stephen King’s Christine, has the genuine stench of petrol, oil and demons. ‘The Eastern Windows’ chillingly continues the theme; by contrast, ‘Winderwood’ introduces us to a fearsome locale that Roberts insists is real. ‘Mrs. Cibber’ transports the reader, with complete conviction, to the smog-ridden London of the fifties and unfolds the strange tale of a young graphic designer haunted by a woman from the eighteenth century. ‘The Snake Princess’, equally atmospheric, tells the story of a boy’s doomed, bizarre love, while ‘Everything in the Garden’ presents the tour de force of a haunting within a haunting.

‘You will be a King, and Great King, and then you will Die, and you may not avoid that destiny, try as you may¿’

Two-thirds god, one-third human, Gilgamesh is a giant among men and a formidable warrior, even as a boy. When his father the king of Rurk dies, Gilgamesh is forced into exile by the newly crowned Dumuzi, jealous of his prowess and fearful of his intentions.

In neighbouring Kis his fighting skills are honed to perfection, and when in time Dumuzi dies, Gilgamesh returns to be proclaimed king by the wily priestess Inanna, goddess of beauty. Together they rule Uruk, and prosperity descends upon the land.

However, the kingship is not enough to satisfy Gilgamesh’s gargantuan appetite for adventure, and his boredom is only relieved by the coming of Enkidu, a strange wild man who proves the king’s equal in combat. The two become closer than brothers, but when Gilgamesh incurs the wrath of Inanna, the gods conspire to tear them apart, and for Gilgamesh all that remains is his search for immortality.

In retelling the legend of the great Sumerian monarch, Robert Silverberg brings all his superb storytelling powers to a mesmerising tale of ambition, power and obsession, against the background of an ancient and fearsome world.

The new millennium has barely begun when a vast fleet of alien vessels descends without warning on the Earth. Some starships blaze mighty trails of fire; some pop into view, unfathomably silent. Three different but equally strange kinds of alien emerge. Wide-eyed UFOlogists who rush to welcome them are scooped up like bugs collected for study.

The aliens make no response when the governments attempt to communicate with them, but a single act of resistance to them provokes massive retaliation. This is the first major catastrophe of the alien years and it will be followed by others. In silence the aliens take control of the world, effortlessly enslaving what remains of its population.

On a remote California ranch, the Carmichaels are a family of blue-eyed, straight-backed patriots, flawed by narrow thinking and repressed emotions – but redeemed by their courage. With them rests the slender hope that natives of Earth may one day be free.



(First published 1997)

QUARANTINED PLANET

“On Dephene, the native life -form is peculiar and unique. All protoplasmic life is equal to and one with the mimics.” On screen, the shape changed, altered into the shape of a man.

Then it changed. It shrank, dropped, lifted a snouted head in the semblance of a dog. It grew, spread wings and became a large bird which hopped and pecked. The wings vanished and a tall and lovely woman smiled from where the bird had halted. A dozen changes, a score until the mind reeled.

“These Mimics represent a threat to every world in the entire galaxy. Their power of mimicry would enable them to adopt the outward form of rulers and high officials. A man could never be certain that his companion was what he seemed to be.”

When Kennedy went to Delphene the speculation became pure nightmare, for both he and his crew were being duplicated over and over – and so was the worlds-conqueror he sought to block.

Three times had the scientific genius, Kaifeng, slipped through the hands of the men of FATE – and three times those equally fanatic guardians of the fragile structure of interworld peace had tracked him down again.

But now Kaifeng had something that the Free Acting Terran Envoys had never met before. He had a ship beyond all previous capacities, he had a crew of dedicated devils, and he had FATE’s finest operative as his hostage.

And when FATE pursued him beyond the very Milky Way itself, beyond the Galactic Lens, things changed very rapidly – for out there Kaifeng had the means to enforce a stop to human progress – and he would not hesitate to use it!

It’s a super-space-thriller in the Star Trek tradition!

In the beginning was World War III…

Out of the flames was born a new civilization, a new humanity dedicated to one world rather than to many nations, to once peace rather than many wars. Never again on Planet Earth would one group of humans “defend” themselves against another group equally convinced that all their actions were “defensive”. Never again on Planet Earth.

But cycles repeat themselves endlessly; Earth is only the beginning of the human story. Next comes planet against planet, and then the stars themselves. Through it all the impersonal forces of historical necessity will tend to force that story into the pathways of tyranny, stasis, and war. And in the end they must prevail. But ever will humankind win free once more…

Meet David Falkayn, sharpest young trader in the Polesotechnic League and susceptible only to the lithe curves of unwary space-girls. In three ingenious, fast-paced tales of interplanetary adventure and intrigue, Falkayn shows himself equally handy with his wits and a blaster. See him untangle alien taboos, outwit alien invasions, manoeuvre adroitly through alien revolutions – and then twist everything up again for his own crafty purposes.

A space opera is what science fiction readers call an adventure in outer space and on alien planets. But a space opera could also be an opera, a musical work, that originated in outer space…

Jack Vance’s unique novel SPACE OPERA fits both definitions marvelously! Because it starts with the mysterious opera company from the equally mysterious planet Rlaru that arrives on Earth to astonish and infuriate music-lovers – and then disappears without trace!

And when Roger Wool’s wealthy aunt determined to reciprocate by bringing an Earthly operatic team into space and to the unknown world Rlaru, there unwinds a complex and surprising space opera of the first kind …filled with enigmatic aliens, weird worlds, and all the special color and cunning that is the hallmark of the best Jack Vance.

Arrabus on the planet Wyst is an “egalistic” nation, where everyone is supposedly equal to everyone else. Arrabins work only two hours per week (“drudge”), which is drawn at random each week. In return, they receive food in the form of gruff, deedle, and wobbly – all synthetically produced food – and are housed in gigantic block tenements. Natural food (“bonter”) is very rare, resulting in a flourishing black market trade with the “Weirdlands”, the lands beyond Arrabus. An executive committee of four, selected at random and known as the Whisperers, governs Arrabus.

Brilliant invention, a rich sense of humour, an equal facility for describing ideas and technologies – these are the ingredients of Knight’s extraordinary talent as an SF writer. This collection of stories takes the reader from the death bed of the last man on earth to the unlikely demise of a vegetable vampire – and proves that Knight was at the top of his form.

The men of the Dorsai were the finest fighting soldiers in the universe, mercenary troops without equal.

Their talents were devastatingly employed on Kultis, where a bloody little war raged between the Western Alliance and Eastern Coalition. But not even the Dorsai could anticipate the dramatic effect of Cletus Grahame’s brilliant mind and the galaxy-shaking theory he called The Tactics of Mistake.

This first book in the Dorsai sequence is the story of how Cletus Grahame risked his life, the fate of three worlds, and ultimately the whole of the Dorsai to prove that a mistake may remake worlds. A classic of science fiction.

By the workings of chance Bleys Ahrens was born the genetic equal of Hal Mayne, the hero of The Final Encyclopedia, but he was destined by nurture to a far different fate. Raised alone by his unhappy Exotic mother, Bleys was an outcast from every society until his half-brother Dahno claimed him. Disciplined by Friendlies, schooled by Exotics, Dahno was beginning to build an interplanetary network of half-breeds, who called themselves “Others”.

But Dahno thought only of gaining wealth and power for himself; Bleys saw an opportunity to challenge the Dorsai for control of the Human Worlds.

Pacifica was a monument to freedom and equality-until the off-worlders came. The Femocrats, a party of female separatists, and the Transcendental Scientists, an institute of technofascists dedicated to male supremacy. Carlotta Madigan, Pacifica’s prime minister, and Royce Lindblad, her handsome young lover and media adviser, had to find a way to stop the Pink and Blue War-without becoming casualties themselves.

TWO PATHS TO ARMAGEDDON
Two valiant humans: swashbuckling Elron and the Sorceress Shannara…two implacably evil “Others”…two kinds of weapons with which to fight…and many kinds of doom awaiting an entire world if the battle is lost!
Again Ted White takes us to the strange, paradoxical world of Qanar, where a weird age-old magic exists as everyday reality, side by side with the remnants of an equally ancient but less understood science. The alien “Others” are making a new bid to take over the planet…and only the noble Elron stands against them. But not entirely alone after he meets the beautiful Shannara, and she adds her limited psionic powers to his great strength to vanquish the enemy. Together they share an outstanding Odyssey – through unpredictable matter transmitters and over treacherous terrain – to reach a hair-raising climax…IN THIS GREAT SEQUEL TO PHOENIX PRIME!

A small cube of black rock has been unearthed in a 3500-year-old Mycenaean tomb. An incomprehensible object in an impossible place; its age, its purpose, and its origins are unknown. Its discovery has unleashed a global storm of intrigue, theft andespionage, and is pushing nations to the brink of war. Its substance has scientists baffled. And the miracle it contains does not belong on this Earth.

It is mystery and madness — an enigma with no equal in recordedhistory. It is mankind’s greatest discovery … and worst nightmare. It may have already obliterated a world. Ours is next.

White Flag for Earthmen

Man had discovered a means of colonising the galaxy. Through a system of instantaneous matter transmission, men, machines, anything, could be sent light years away in seconds!

Only, men were not the only beings in the galaxy who were expanding, and at 200 light years from Earth the alien Gershmi people made their claims clear, with guns!

It would have been a fair fight between equally matched races, had not the very matter transmitter boxes which had made mankind’s expansion possible, suddenly began to put men back together, 200 light years from Earth, with their will to fight removes, so that Earthmen were marching with white flags of truce straight into Gershmi fire!

Billy Byrne was a product of the streets and alleys of Chicago’s great West Side. From Halsted to Robey, and from Grand Avenue to Lake Street there was scarce a bartender whom Billy knew not by his first name. And, in proportion to their number which was considerably less, he knew the patrolmen and plain clothes men equally as well, but not so pleasantly. His kindergarten education had commenced in an alley back of a feed-store. Here a gang of older boys and men were wont to congregate at such times as they had naught else to occupy their time, and as the bridewell was the only place in which they ever held a job for more than a day or two, they had considerable time to devote to congregating. They were pickpockets and second-story men, made and in the making, and all were muckers, ready to insult the first woman who passed, or pick a quarrel with any stranger who did not appear too burly. By night they plied their real vocations. By day they sat in the alley behind the feedstore and drank beer from a battered tin pail. The question of labor involved in transporting the pail, empty, to the saloon across the street, and returning it, full, to the alley back of the feed-store was solved by the presence of admiring and envious little boys of the neighborhood who hung, wide-eyed and thrilled, about these heroes of their childish lives. Billy Byrne, at six, was rushing the can for this noble band, and incidentally picking up his knowledge of life and the rudiments of his education. By the time he became an adult, he was another thing entirely. . . .