Search Results for: death-into-life

‘Geoffrey Household’s prose is as clean and spare and unwaveringly efficient as are his plots’ Sunday Times

On the death of his father, artist and mystic Alfgif Hollaston returns to his Somerset house. There, he befriends Paddy Gadsden, a saddler and horse psychiatrist, and inherits Paddy’s polecat, Meg, after Paddy’s violent and inexplicable death. But innocent and playful Meg isn’t quite what she seems.

Soon Alfgif’s life and sanity are threatened by a relentless terror, resembling the sixth sense of an animal, which warns when danger is imminent …

By the author of Rogue Male, a classic thriller of the twentieth century.
‘Household … helped to develop the suspense story into an art form’ New York Times

When retired mining engineer Yarrow is disturbed after midnight by Barnabas Fosworth, he assumes that he is just a curious eccentric. But by helping Fosworth in his search for the mysterious girl he seeks, Yarrow soon finds his life inexplicably threatened by a mystical sect who believe that taking life is forgivable, since death is only a transition.

Entombed in a cavern in the Mendips, Yarrow discovers the ancient secrets that have their origins in paleolithic paintings; and it is only through this new knowledge that he can hope to escape a very unpleasant death.

All around us, under most of humanity’s very noses, lurks a dangerous alien race. The Nafikh inhabit human bodies while visiting Earth, and an underground system designed to disguise and protect them from being discovered allows them to indulge their wildest and often violent urges. The circumstances of these brutal visits require the sacrifice of servs.

Servs are aliens themselves, created by the Nafikh to attend to their every need. Physically indistinguishable from humans, they are destined to live in pain, their very livelihood regulated by the Source, a powerful force of energy inside each of them that burns like a white-hot fire under the stress of their servitude.

Lucy is a serv who arrived a baby, and by chance was adopted by humans. She’s an outcast among outcasts, dwelling in both worlds but belonging to neither. For years she has been walking a tightrope, balancing between the horrors of her serv existence and the ordinary human life she desperately longs to maintain, her family unaware of her darkest secrets.

But when the body of a serv child turns up and Lucy is implicated in the gruesome death, the worlds she’s tried so hard to keep separate collide. Hounded by the police, targeted in the dog-eat-dog world of servs, she’ll find herself fighting to protect her family and the life she’s made for herself. Skinner Luce is Lucy’s story.

Pinnacle City is many things to many people. To some it is a glittering metropolis, a symbol of prosperity watched over by the all-star superhero team, the Pinnacle City Guardians. Beyond the glitz and glamour, there is another city, one still feeling the physical and economic damage of the superhero-villain battles of generations past. The lower class, immigrants, criminals, aliens, sorcerers, and non-humans alike call this city home, looking to make a living, which is becoming increasingly difficult as the two sides of the city seem prepared to boil over into a violent conflict.
Private investigator Eddie Enriquez, born with the ability to read the histories of objects by touch, still bears the scars of his time as a youthful minion for a low-level supervillain, followed by stints in prison and the military. Though now trying to live a straight-and-narrow life, he supports a drinking problem and painkiller addiction by using his powers to track down insurance cheats. When a mysterious woman enters his office asking him to investigate the death of prominent non-human rights activist Quentin Julian, a crime the police and heroes are ignoring, he takes the case in the hopes of doing something good.
Superhero Kimberly Kline has just hit it big, graduating from her team of young heroes to the Pinnacle City Guardians with the new codename of Solar Flare. With good looks, powers that include flight, energy manipulation, superhuman strength, durability, and speed, as well as a good family name, the sky is the limit for her. Upbeat, optimistic, and perhaps a little naïve from the upper-crust life she was raised in, she hopes to make her family, and the world, proud by being the greatest superhero she can be . . . but things aren’t always as they seem.

In the near future, the line between entertainment and brutality has blurred. Mysterious billionaire Cameron Crayton is a household name from televised spectacles in which prison inmates fight to the death, but his old shows pale in comparison to his new event, The Crucible, a gladiatorial tournament anyone can enter. The winner is promised unimaginable wealth and glory…if they’re able to survive a series of globally broadcast fight-to-the-death matches with medieval weaponry against the world’s most fearsome fighters.

Former black-ops operative Mark Wei wants nothing more than to be left alone to drink after sacrificing everything – including his family – in America’s covert Cold War II against China, a war won largely because of him. But there are rumors that Crayton’s background and business dealings involve shady connections to foreign powers, and soon Mark is convinced to reluctantly dust off his training, strap on a sword and armor, and enter the tournament arena as an undercover agent.

It’s the most dangerous assignment he’s ever been given, and Mark quickly finds himself not just fighting for his life in the arena against trained killers, but racing to expose The Crucible’s founder’s secrets while navigating a viral phenomenon in which the stakes are literally life and death…

A cyber-dystopian thriller unlike any other.

In a near future Tokyo, every action-from blinking to sexual intercourse-is intellectual property owned by corporations that charge licensing fees. A BodyBank computer system implanted in each citizen records their movements from moment to moment, and connects them to the audio-visual overlay of the ImmaNet, so that every inch of this cyber-dystopian metropolis crawls with information and shifting cinematic promotainment.

Amon Kenzaki works as a Liquidator for the Global Action Transaction Authority. His job is to capture bankrupt citizens, remove their BodyBank, and banish them to BankDeath Camps where they are forever cut off from the action-transaction economy. Amon always plays by the rules and is steadily climbing the Liquidation Ministry ladder.

With his savings accumulating and another promotion coming, everything seems to be going well, until he is asked to cash crash a charismatic politician and model citizen, and soon after is charged for an incredibly expensive action called “jubilee” that he is sure he never performed. To restore balance to his account, Amon must unravel the secret of jubilee, but quickly finds himself asking dangerous questions about the system to which he’s devoted his life, and the costly investigation only drags him closer and closer to the pit of bankruptcy.

In book one of the Jubilee Cycle, Cash Crash Jubilee, debut novelist Eli K. P. William wields the incisive power of speculative fiction to show how, in a world of corporate finance run amok, one man will do everything for the sake of truth and justice.

Xhea has no magic. Born without the power that everyone else takes for granted, Xhea is an outcast-no way to earn a living, buy food, or change the life that fate has dealt her. Yet she has a unique talent: the ability to see ghosts and the tethers that bind them to the living world, which she uses to scratch out a bare existence in the ruins beneath the City’s floating Towers.

When a rich City man comes to her with a young woman’s ghost tethered to his chest, Xhea has no idea that this ghost will change everything. The ghost, Shai, is a Radiant, a rare person who generates so much power that the Towers use it to fuel their magic, heedless of the pain such use causes. Shai’s home Tower is desperate to get the ghost back and force her into a body-any body-so that it can regain its position, while the Tower’s rivals seek the ghost to use her magic for their own ends. Caught between a multitude of enemies and desperate to save Shai, Xhea thinks herself powerless-until a strange magic wakes within her. Magic dark and slow, like rising smoke, like seeping oil. A magic whose very touch brings death.

With two extremely strong female protagonists, Radiant is a story of fighting for what you believe in and finding strength that you never thought you had.

A decade dead, Jacob Campbell is a preservationist, providing a kind of taxidermy to keep his clients looking lifelike for as long as the forces of entropy will allow. But in the Land of the Dead, where the currency is time itself and there is little for corpses to do but drink, thieve, and gamble eternity away, Jacob abandons his home and his fortune for an opportunity to meet the man who cheated the rules of life and death entirely.

According to legend, the Living Man is the only adventurer to ever cross into the underworld without dying first. It’s rumored he met his end somewhere in the labyrinth of pubs beneath Dead City’s streets, disappearing without a trace. Now Jacob’s vow to find the Living Man and follow him back to the land of the living sends him on a perilous journey through an underworld where the only certainty is decay.

Accompanying him are the boy Remington, an innocent with mysterious powers over the bones of the dead, and the hanged man Leopold l’Eclair, a flamboyant rogue whose criminal ambitions spark the undesired attention of the shadowy ruler known as the Magnate.

An ambitious debut that mingles the fantastic with the philosophical, Dead Boys twists the well-worn epic quest into a compelling, one-of-a-kind work of weird fiction that transcends genre, recalling the novels of China Miéville and Neil Gaiman.

Vitus Adamson has a second chance at life now that he’s no longer a zombie, but after killing his brother Jamie, Vitus lands in prison on murder charges. Jamie’s death exposes secret government projects so deep in the black they cannot be seen-without Vitus, that is.

Sprung from jail, the government hires Vitus to clean up Jamie’s mess, but tracking down his brother’s homemade monsters gone rogue is easier said than done. A convicted killer safely behind bars may not be so safe after all when it appears he is still committing murder through his victim’s dreams. High on Atroxipine (the drug that once kept him functioning among the living) and lapsing into addiction, Vitus’s grip on reality takes a nasty turn when his own dreams start slipping sideways.

His problems multiply as he deals with his failed friendship with wheelchair-bound officer Geoff Lafferty, his wrecked romance with the town mortician Niko, government agents working for his father, sinister figures lurking in the shadows, and least of all, the complications of learning how to be human again.

Thumb Rivera is in a bind. A college dropout, aspiring writer, smalltime marijuana grower, and biker club hang-around, Thumb finds himself confined to his rural ranch house in the desolate Maine countryside, helpless to do anything but watch as his former friends and housemates scheme behind his back, conspire to steal his girlfriend, and make inroads with the Blood Eagles, a dangerous biker gang.

Thumb is also dead.

A ghost forced to haunt his survivors and reflect back on the circumstances that led to his unsolved murder, Thumb discovers he has one channel through which he can communicate with the living world: Ben, an unemployed ghost hunter. Ben soon convinces local curmudgeon Fred Muttkowski, failed novelist turned pig farmer, to turn Ben’s Ouija-board conversations with Thumb into an actual book.

Thumb has two things on his mind: To solve, and then avenge, the mystery of his own violent death, and also to tell his story. That story is American Ghost-as told to Ben, then fictionalized by Fred. It’s at once a clever tale of the afterlife, a poignant examination of the ephemeral nature of life, and a celebration of writing and the written word.

The ruins of the Well-Built City and the village of Wenau are not all the world has to offer-there is also the Beyond, a dark land between life and death, populated by flying demons, restless ghosts, invisible terrors, and ravenous trees. Cast out by the people of Wenau after finding a cure for their sickness, former physiognomist Cley sets out to brave the dark mountains and seas of the Beyond in order to find the woman he doomed on his quest to destroy the Well-Built City. As Cley journeys deeper into the unknown, he is accompanied by an invisible companion-the demon Misrix, who is searching for his own humanity.

In a distant future, on an Earth populated by a scant few hundred thousand humans, the Atkins’s Thomas performs without question the duties for which he was genetically bred. Called “Soldier” by one and all, he is a man of honor and ability, responsible for keeping the peace, for maintaining the status quo . . . and, most important, for guarding the great Book House on the hill – a vast repository of Last Culture knowledge presided over by Libary, Soldier’s mentor, the most senior of the mystic Celibate scholars.

Such is Thomas’s life in the serene, semi-primitive world without nations and cities and governments – until the night the starship comes home. Having fled a dangerously overcrowded Earth years before the Collapse and the Twilight that followed, for seven centuries the men and women of the space-going vessel Search have been combing the galaxy for inhabitable planets – their aging processes dramatically slowed by the relative magic of light speed travel and cryogenic sleep. And now, lonely and frustrated, the weary voyagers have returned to a homeworld unrecognizably altered by the relentless tides of time – a world that does not want them back.

A bitter welcome awaits the Searchers, as old Libary gathers Earth’s Ordinands and Elders together to tap the terrifying power of the collective unconscious – in preparation of the Carnival night when they will sweep the helpless intruders back to their lonely sky in the name of Holy Science. And it is Soldier who stands in the middle, silent and alone – bound by duty to evict the homesick star-travelers . . . yet cursed by a preordained genetic destiny that has decreed their eviction will mean Soldier’s death.

Two men, one of them a policeman, are investigating a death involving a large international genetic engineering corporation. They become bothersome to the corporate owners and are taken out of action – not by being killed, but by being put to sleep for hundreds of years. But this may be a fate worse than death.

They awaken to a distant future in which contemporary industrial civilization has been “cleansed” from the earth and what humanity survives is learning to live a very low-technology lifestyle, being bred eugenically to this life. This cleaning was done on purpose, an international plot by the rich and powerful who in fact rule the world – and who, in this distant future, are dying off.

This is a complex and morally tortuous vision, and Turner’s characters find it nearly impossible to adapt without killing someone, perhaps even themselves.

2030. The Moralist party is in power, buoyed by the promise to end death. Chronic care specialist Patricia Jewett deals daily with the result: her ward is packed with technologically dependent patients. When a colleague ends up paralysed and nearly brain-dead, Jewett is forced to keep him alive – while knowing his wishes to terminate life support. Then a murder occurs, and Jewett, the only witness, is also the prime suspect.

THE BALANCE BETWEEN LAW AND CHAOS has long been maintained by the rulers of Béarn, but the death of the current king has enabled the elves to magically substitute one of their own on the throne. And, under the leadership of Dh’arlo’mé, the dark elves are preparing to claim their long-sought vengeance on mankind.
But when the small party which set out to find and bring back the last possible heir to the throne returns to Béarn, Dh’arlo’mé realizes that even magic and murder combined will not be enough to overturn the balance. Now his solution must hinge on Béarn’s burden and treasure: the Staffs of Law and Chaos. Within these plain-pieces of wood dwell the essences of Law and Chaos, each eternally seeking its Champion to destroy the other.
Lured into one Staff’s power, Dh’arlo’mé seeks to seduce the mortals into championing the other. And with all the worlds teetering on the brink of doom, it falls to Colbey Calistinsson – son of the god Thor and the greatest of Renshai warriors – to select that Champion. If he chooses wrongly, all life will come to an end. Yet even success will come at a high price. For the only way to insure that this danger can never arise again, is for both Champions and Staffs to be totally annihilated.

Two hundred years ago, in order to keep the peace in Samaria, the god Jovah created a legion of land-dwelling angels, led by an appointed Archangel. Now, Jovah has a new appointee: Archangel Gaaron. And for his life-mate, his Angelica, Jovah has chosen a woman named Susannah. With trepidation, she bows to the will of Jovah and an unspoken affection develops between the two.

But there is a terrible threat besetting the land – black-clad strangers who call fire down from the sky, leaving death and destruction in their wake, And the true hearts of Archangel and Angelica may never be known, as the future of the planet hangs in the balance…

They call them the “rat-catchers.” They’re the crew of the spaceship Daedalus, which an economically destitute Earth has dispatched on a mission to re-establish contact with its far-flung, long-lost colonies in space. Alex Alexander, the ship’s biologist, together with his staff, must help solve the mysteries of human and alien ecosystems that he encounters light-years from home.

Dendra is a stable world, covered by a huge, unchanging forest-except that nothing living can really be free of change. The planet has no seasons, but its animal life still undergoes life-cycles involving birth, maturation, metamorphosis, and death. The Earth colony sent to tame the world has failed, at least in the terms expected of it, and seems beyond redemption; but the crew of the Daedalus still has to find out exactly why and how the program has gone wrong. Provided, of course, that they can survive the investigation itself!

Two worlds with very different futures for humanity…

In The Lord of Death, four scientists, aided by reverse-magnetism, travel to a dead planet where they discover that one human’s lust for power destroyed all life there-except for him. In suspended animation, he awaits the newcomers.

In The Queen of Life, the scientists travel to a planet encased in a glass sphere to protect the overpopulated planet from the sun’s radiation. Conflict leads to a riot.

Set more than four thousand years in the future, The End of This Day’s Business depicts a truly utopian way of life, a global society in which distinct national cultures are preserved but coexist without competitive nationalism, violence, or war. Women, characterised as the reasonable sex in this society, care for the earth and all it’s creatures. Only one price must be paid for this harmony. It is the subjection of men, who, stripped of their history and deprived of any knowledge of women’s sacred rights, complacently accept their ‘natural’ inferiority.

The plot turns on the desire of one woman, Grania, an artist and leader, to teacher her son what is forbidden for men to know. Risking both their lives, she tells the story of when men dominated, especially of the twentieth-century rise of fascism, and the subsequent world transformation as life-loving women took over from death-loving men.

His name was Tharg, but he was not of any life form we know today. He lived so long ago that the planet Earth had not yet shaped itself. Lava seas roiled and churned, volcanoes spouted and grew, and heavy clouds hung in the hydrogen atmosphere, leaving the planet’s surface dark and dangerous.

On that world Tharg met his death, or something very much like it. He became a disembodied, totally nonphysical intelligence, cut off from all contact with the life he had known. He ‘slept’ for hundreds of millions of years, unconnected with the world, unthinking, hardly existing.

But then he began to awake – for there was new life on Earth, creatures called ‘human’, and Tharg, knowing an ancient promise from the stars, had to tell them of it. But . . . how?

‘The gems in this impressive collection have the same power to disconcert as her best novels’ Martin Amis

‘Her worlds have a magic sheen . . . she moulds them into dimensions we can only just sense. She is unique. She is legend’ THE TIMES

North to Orsinia and the boundaries between reality and madness … South to discover Antarctica with nine South American women … West to find an enchanted harp and the borderland between life and death … and onward to all points on and off the compass. Twenty astonishing stories from acclaimed author Ursula K. Le Guin carry us to worlds of wonder and horror, desire and destiny, enchantment and doom.

The great wizard Nabal’s death offers many opportunities, both for those who knew him and those who did not. For young conmen Ezak and Kel, it means a chance to loot the wizard’s estate… if they can win the confidence of Nabal’s widow, Dorna. But Dorna has plans of her own. She means to leave the tiny village for a better life in the city. And all of Nabal’s wizardly artifacts and talismans will pay for that new life – if she can only get them there intact!

Another story novelized from the pages of Astounding Stories, telling of the experiments of an alien race who have migrated to the solar system to domicile themselves on Mars. Their experiments result in the death of their leader and lead to the Martians being overwhelmed by an invasion of beings from the microcosm…and, ultimately, to the creation of life on Earth!

Seven billion years from now, long after the Sun has died and human life itself has become extinct, alien beings reincarnate humanity from our fossilized DNA drifting as debris in the void of deep space. We are reborn to serve as bait in a battle to the death between the Rimstalker, humankind’s reanimator, and the zotl, horrific creatures who feed vampire-like on the suffering of intelligent lifeforms.

The reborn children of Earth are told: “You owe no debt to the being that roused you to this second life. Neither must you expect it to guide you or benefit you in any way.” Yet humans choose sides, as humans will, participating in the titanic struggle between Rimstalker and zotl in ways strange and momentous.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”