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‘The explosion was painfully bright against the dark backdrop of the moonless New Mexico sky. To those who looked up at that precise moment – and there were many who happened to look up – it was as though a new star had momentarily blossomed in blue-white incandescence.’

Only three human beings would ever know that the blinding flash in the sky on that night in 1982 was an exploding flying saucer. Only they would learn the truth about THOSE WHO WATCH – about the alien observers who came into this world in a crash landing from the stars. THOSE WHO WATCH is the strange, seductive story of three accidental colonists from outer space whose chance encounter with Earth brought revelation to three earthly counterparts – and triggered interplanetary conflict. It is a remarkable story by one of science fiction’s most remarkable writers.

The new millennium has barely begun when a vast fleet of alien vessels descends without warning on the Earth. Some starships blaze mighty trails of fire; some pop into view, unfathomably silent. Three different but equally strange kinds of alien emerge. Wide-eyed UFOlogists who rush to welcome them are scooped up like bugs collected for study.

The aliens make no response when the governments attempt to communicate with them, but a single act of resistance to them provokes massive retaliation. This is the first major catastrophe of the alien years and it will be followed by others. In silence the aliens take control of the world, effortlessly enslaving what remains of its population.

On a remote California ranch, the Carmichaels are a family of blue-eyed, straight-backed patriots, flawed by narrow thinking and repressed emotions – but redeemed by their courage. With them rests the slender hope that natives of Earth may one day be free.



(First published 1997)

This stunning collection showcases 11 of Haldeman’s best stories. They range through time and space from planets beyond our wildest dreams to a nightmare future Earth all too close to home.

Lindsay and the Red City Blues: A story of revenge – with a heart-stopping twist in the tail.

Blood Brothers: A ‘Thieves World’ story.

You Can Never Go Back: A self-contained story from the original version of ‘The Forever War’, never before published in book form.

And ten more sharp and startling visions of tomorrow.

Pacifica was a monument to freedom and equality-until the off-worlders came. The Femocrats, a party of female separatists, and the Transcendental Scientists, an institute of technofascists dedicated to male supremacy. Carlotta Madigan, Pacifica’s prime minister, and Royce Lindblad, her handsome young lover and media adviser, had to find a way to stop the Pink and Blue War-without becoming casualties themselves.

Slippery Jim diGriz is in the process of robbing the new Mint on Paskonjak when the heist goes terribly wrong. Threatened with a horrific death, Slippery Jim is allowed to cut a deal with the Galactic League: voyage to the planet Liokukae and bring back a missing artifact – the only known evidence of alien life-forms found in 32,000 years of galactic exploration.

For diGriz there are a few catches. One is Liokukae itself – a dumping ground for the League’s misfits, murderers, maniacs, and the incurably obnoxious. Another is a little matter of life and death. To ensure the utterly untrustworthy diGriz’s cooperation, the League has given him a slow-acting poison, allowing him thirty days in which to succeed . . . or die.

Now the Stainless Steel Rat is on his way to a world that is hurtling backward down the evolutionary scale – a land of fanatic, goat-herding Fundamentaloids, murderous Machmen, and a rusty guru named Iron John. DiGriz has developed an almost perfect cover: a four-member rock band that has a way of giving its audiences what they want to hear.

But while the days tick away and diGriz’s life expectancy lowers, the mission evolves from finding an artifact to liberating a planet . . . which is a tune the Stainless Steel Rat most certainly knows how to sing.

He was Clear Blue Lou, perfect master of the Clear Blue Way, at one with the law of muscle, sun, wind and water governing Aquaria. She was Sunshine Sue, always in a hurry in a world that was too slow, Queen of Word of Mouth. Their meeting had been arranged – but by whom? and why? Beyond the beginning of where the world ended, beyond the highest peaks of its primeval majesty, lay a radio active hell and the lairs of the black sorcerers, the Spacers. The black scientists had not forgotten man’s old dream of touching the stars: they wanted the Age of Space reborn. But they needed a little help.

Over twelve generations the descendents of a space crash on a world completely covered in water had managed to adapt to their marine culture. Living in villages built on giant clumps of sea plants, they survived on the flora and fauna of the sea. But they have always been at the mercy of the kragen – gigantic squid-like monsters that prey on their fish flocks, and on them. The biggest of these is King Kragen, with whom the colonists can communicate, who has to be appeased. But one man has had enough of a life of slavery and sacrifice. But how can he convince his fellow men that King Kragen must be killed? And how can that be achieved in a world without weapons?

It is 1936 – the year of the Abdication Crisis – and gangland capo Sonny Tarrant’s money-laundering operation is being threatened by three small-time thieves thinking big.

Would-be gangsters Sandboy, McGouran and Gillis have carried out a violent raid on the premises of furrier Pelly Pender. But Pender insists to the police that no attack took place, for he knows the trio will face a different justice in which the law plays no part. And Sandboy soon finds himself caught in a nightmare world in which Tarrant manipulates his victims with the deftness of a flick-knife.

His last hope is Yvonne Manders, once the stage-dancer ‘Lady Blue’ . . .

This collection comprises of the first six titles in Harry Harrison’s brilliantly entertaining Stainless Steel Rat series, containing:

A Stainless Steel Rat Is Born
The Stainless Steel Rat gets Drafted
The Stainless Steel Rat Sings the Blues
The Stainess Steel Rat
The Stainless Steel Rat’s Revenge
The Stainless Steel Rat Saves the World

Travis Thompson had been a hard-hitting investigative journalist. Now he wore blue tights and a bright red codpiece, and rode a horse around a world which resembled a second-rate medieval movie set. Jack the demon told him he’d been transported here by magic, but Travis knew it couldn’t be real. Right? But whatever the truth, he had to find his way home. He hadn’t even cancelled the milk. Mind you, the cross-dressing princess was very beautiful, and Travis supposed you could get used to goats’ testicle stew if it was your basic diet for long enough…

She called herself Reee and she was the last human being on Earth. This was the one thing she was sure of. Because Earth was not a dead planet, not by a long way. There were all manner of strange plants and bizarre animals, and there were the blue boys who insisted they were human – but she always set fire to them.



There was however Indigo, the all-devouring protoplasmic ocean that was literally gobbling up everything in the world. And there was the enigmatic Emeroo to whom she owed her continued existence. There were also the so-called Martians – humans who had fled to Mars and only came back to Earth to scout for survivors and vent their futile furies on the inhospitable homeworld.

Star humans were engineered to exist within the mantle of a star, mere tools of their Earth-evolved makers in a war against the Xeelee, owners of the universe. Stephen Baxter’s third novel in his magnificent Xeelee Sequence is an exotic and endearing story of an abandoned people.

Abandoned to their fate, their history lost along with contact with their makers, Star people survive in an environment that is possibly the strangest in science fiction. Microscopic inhabitants of superfluid air above a Quantum Sea and below the tangled Crust of the Star, swimming in an electric-blue grid, the Magfield, which is subject to violent storms, Star people struggle, like us, to make sense of their world… and the threat hanging over it.

Though the truth is far more disturbing and ominous than they feared, they will confront, finally, their makers, and they will rebel against the purpose for which they were created.

Today, tomorrow, always…the white-haired girl from the marsh is running for her life down a derelict highway
In a future world polluted to the point of dissolution, the trees are dead, the sky is yellow, and no birds sing. Everyone and everything is tinged with madness. For Eva Belmort there seems no role except to become some man’s plaything and drudge.
Then, one day, arrives the stranger with the gun – with blue eyes and hair as white as her own. Roaming the tortured landscape in his wagon, Steel is a seller of death…but for Eva he provides hope of escape from Foulmarsh.
Urged on by a power of love and hate impossible to fathom, Eva’s travels now take her to distant towns and villages full of danger and surprises – and arouse in her strong passions she cannot harness…

In a peaceful, residential section of Queens, Kitty Keeler’s young sons have gone missing. Both she and her husband say they have no idea where the children are. Then New York Police Department cop Joe Peters gets the call he’s been dreading. The bodies of two blond, blue-eyed boys have been found.
As Joe launches an investigation, he becomes dangerously drawn to the exquisite Kitty. With the evidence against her mounting and the world calling her a heartless killer, Joe vows to uncover the truth, no matter what the cost. But as violence begets violence, and his obsession with Kitty grows, Joe knows he’ll never rest until he finds the answer to the burning question: Did Kitty Keeler murder her own children?

In every mouse’s long life, there comes a time when ancestral voices tell him to move on. Pedlar, a yellow-necked mouse, has reached that point. Told to leave the Hedgerow and go on a long journey, the adventurous mouse says his farewells and sets out for a far-distant country knows as The House. Reaching his destination, Pedlar enters a strange new world inhabited by many warring tribes: the Stinkhorns of the cellar, the great Savage Tribe in the kitchen, the library Bookeaters, the Invisibles, the Deathshead and the rebellious 13-K Gang.

During his stay, Pedlar witnesses a momentous truce, in which the tribes come together at an Allthing meeting and decide to rid themselves of the greatest pests in The House, the greedy, stupid nudniks – the humans. And so the Great Nudnik Drive is set in motion, a time of considerable anxiety for the nudniks, when clocks strike twenty and inanimate objects seem to have a life of their own. Ranged against the mouse tribes are the nudniks’ allies: the two cats, Eyeball the Burmese blue and Spitz the ginger tom; the Headhunter, a barbarian human child; and Little Prince, the Headhunter’s cannibalistic pet white mouse. The House becomes a hotbed of riot and discord, until Pedlar finally comes up with a solution. The outcome of this heroic struggle has gone down in the annals of mouse history, a history tens of thousands of days long, and the whole remarkable tale is recorded here, between these pages.

This collection assembles in one volume five works by Kate Wilhelm, masterful fantasist and one of science fiction’s premier storytellers:

In ‘Children of the Wind’, identical twins J-1 and J-2 play subtle games with their parents’ lives. Are the boys just precocious, or are they far more strange – and powerful? ‘The Gorgon Field’ finds Charlie and Constance caught in a mystery of mystical proportions in the Arizona desert. ‘A Brother to Dragons, a Companion of Owls’ depicts a future in which survival may not be merely enough – it may be too much, whilst ‘The Blue Ladies’ studies a disabled woman’s abilities to share his vision. ‘The Girl Who Fell Into the Sky’, winner of the Nebula Award for best novelette, weaves a dreamy tale of love, death and an old piano amid the Kansas plains.


These five tales present luminous, absorbing visions of the world as it could be and as it is.

1945: Russian troops have entered Berlin, and are engaged in a violent orgy of robbery, rape, and revenge…

Wehrmacht officer Hasso Pemsel, a career soldier on the losing end of the greatest war in history, flees from a sniper’s bullet, finding himself hurled into a mysterious, fantastic world of wizards, dragons, and unicorns. There he allies himself with the blond-haired, blue-eyed Lenelli, and Velona, their goddess in human form, offering them his knowledge of warfare and weaponry in their genocidal struggle against a race of diminutive, swarthy barbarians known as Grenye.

But soon, the savagery of the Lenelli begins to eat at Hasso Pemsel’s soul, causing him to question everything he has long believed about race and Reich, right and wrong, Übermenschen and Untermenschen. Hasso Pemsel will learn the difference between following orders… and following his conscience.

It was a great world in the fortieth century. No economic problems. No work. Robots and androids everywhere. Every girl a princess, every man a king. Pleasure, parties, amusements, art, drama and literature were the ultimate goal of every man woman and child.
When people have too much leisure there is a danger. They grow soft and effete. There hadn’t been a standing army on earth for a thousand years. There hadn’t been a single warrior for five hundred. Then the Masked Swordsmen began breaking up the pleasure parties, after the swords came guns, stolen from the museums. Then… worse,… far, far worse.
But that wasn’t all. There were rumours of alien ships in the sky. Ships manned by a savage blue skinned humanoid race. Ships landed. Blues were enslaved. More blues came. Earthmen and women were captured in reprisal.
Who were the blues? Why did they come? What was their history? What were their plans for the future?
Would the human race survive?

Superb Art Deco suspense set in the glamorous world of high society New York from ‘An author with a flair for terror’ The New Yorker

‘If you wake up in the night screaming with terror, don’t say we didn’t warn you’ New York Times

Once the dashing, top-hatted twins, Danny and David, who share nice college boy laughs, have the marble, they will do to Griselda what they have done to the others.

Her estranged husband, Con, is a thousand miles away, and can’t save her.

A bloody trail has wound around the so blue marble: years of theft, torture, violence; whispers of secret riches, gold, diamonds, rubies as big as the moon. Soon it would be Griselda’s turn.

But Griselda believes that nothing ever happens to nice people, and that there is no reason to feel nervous at night, not even in the heart of New York, and knowing what she does about the marble . . .

New Alabama. A planet that’s a fair reproduction of long-lost Dixie, filled with down-home, racist rednecks. The N’Alabamians have carried their tribal prejudices to the farthest reached of the galaxy, like the other minorities expelled from the Earth by the dominant Pan-Semitic Alliance. There’s New Transvaal. New Cathay. And New Haiti, a black world where Papa Doc’s descendants carry on the old ways.

When New Alabama and New Haiti go to war with each other, it’s a bloody black-versus-white stalemate. Until the N’Haitians develop a horrific new secret weapon based on a very ancient tradition.

Imagine you’re a clean-cut N’Alabamian good ol’ boy, giving your all up there in the space fleet, and you suddenly realise the enemy crews aren’t human at all. They’re what people back on Earth used to call Zombies…

Searching for the beautiful witch Jemhara, the magician Thryfe at last finds her in the reinvented town of Kandexa, where a strange and passionate wooing begins. From this union a son is born – golden-skinned, red-haired, blue-eyed – and thus the Lionwolf returns to the world of men.

Unaware of this birth, his original mother the goddess Saftri has begun her own search for her lost love Athluan . . . while elsewhere the black and shining ones, the Children of Chillel, seek to establish claims on the ice-locked planet. Beyond, over, under all, the evil god Zzth rages and plans the ruin of these separate and immortal lives.

Strafed by the tumult of such conflicting powers, the be-wintered realm of mortals can only wait to learn its destiny.

Killed by the power of the god Zezeth, his true father, Lionwolf has been cast into a bleak and icy hell lit just by a cold blue sun. Here he and others of the living dead must wage endless combat and war, to appease the whim of a deathly King whose face is made of stone. But when Lionwolf encounters the King’s wife, she is none other than the beautiful, god-fashioned Chillel, his own former lover – and nemesis.

As Lionwolf struggles in the toils of Hell, elsewhere in the hell-cold ice-age of the mortal earth, men and women work out their own destinies. An empire has fallen. Ru Karismi, Capital of the Kings, has been abandoned to the poisons of the White Death. Reivers cross the lands of the Jafn and the Ruk, preying wherever they wish.

Against this unsettled backdrop, Jemhara the sorceress determines to save the Magician Thryfe from a dire self-inflicted punishment, and Saphay, now a goddess of the far north, seeks to lead her people to a new world.

Yet Seseth’s violent hadred shadows all – and from the depths of an ice-locked sea his other terrifying son, the mountainous whale-leviathan Brightshade, is once more rising for vengeance…

Agnes receives few compliments, and Henry Preble is not so bad-looking even if he does have a reputation for cornering girls at work. In the eyes of the world, knowing that you’re on the shelf at twenty-four can do strange things to a girl. So strange that you might wake up one morning with almost no recollection of the previous night’s events . . . Published for the first time in the UK, The Gardenia, the basis for Fritz Lang’s 1953 classic Hollywood noir film The Blue Gardenia, is a gripping story of suspense and a brilliant exposé of the press sensationalism of 1950s America.

This volume also contains Out of the Blue, which was made into a comedy film in 1947 starring George Brent and Carole Landis.

Hal Halliday runs a missing persons business in mid 21st century New York. It is a city that is drowning in refugees after terrorist outrages have left much of America a radioactive wasteland. People colour their grim lives with endless hours spent in VR. It is an addiction which has made VR magnate Sergio Mantoni a multi-millionaire. But now Mantoni faces a threat from a guerrilla group called VIREX, who are dedicating to ending the false promise of VR. And when Hal accepts a job to look for the missing sister of a Holodrama star, he find himself drawn into the complex world of VR and VIREX ..