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These stories which have never been brought together before are taken from Joan Aiken’s earliest writing years in the 1950s and 1960s when she was working for the English short story magazine, Argosy where they were first published. They demonstrate her wide ranging stylistic ability, with subjects as diverse as a rented apartment that comes with a resident swan, a man who buys a girl in a crystal ball, an invisible man-eating tiger, or a psychiatric patient who can always, sometimes unfortunately, conjure up a 93 London bus.


All these ideas seem to pour out of an endless imagination, making bold use of eccentric and unexpected settings and characters, and at the same time demonstrating an evident delight in parodying a variety of literary styles from gothic to comedy, fantasy to folk tales selected from her incredible reading background. But Joan Aiken always repudiated the suggestion that she was “a born storyteller” she would always argue furiously that it was a craft, like oil painting or cabinet making that she had learned, practiced and developed over the years. She described this period of her life as a single-minded engagement with the writer’s craft; and her grasp of the short story form as the foundation of her literary career.

What is far from apparent from these wildly inventive and freewheeling tales, is that this was in fact a bitterly difficult period of Joan Aiken’s life, when not long after the end of the Second World War she was left widowed and homeless with two young children. Having made the brave decision to try and support herself and her family by writing, she applied for a job on this popular short story magazine. In many ways, as she often said subsequently, this period spent working at Argosy could not have been bettered, both as a wonderful distraction and consolation during a bad time, and as an unbeatable apprenticeship in the craft of writing.

Will she ever escape her past?

Romantic suspense for fans of Joan Aiken and Bridgerton

Young Hester Malpass knew little of her past. Only that she was an orphan who was now working in a railway station restaurant for a tyrannical old woman. She dreamed of escape, of finding a brighter place for herself out in the world.

Then one day, dashing Captain Deveraux, a famous balloonist, lured her away to become his partner in a new aerial adventure. Had Hester not fallen in love with the captain, she would never have dared. But dare she did.

Life took a violent and frightening turn. Suddenly Hester was confronted with the strange ghosts of her past, and the deadly secret of the fine and handsome captain.

When a desk clerk welcomes a group of tourists into his mysterious and crumbling hotel, the last thing he ever expected was that one girl on the tour might hold the power to unravel the hidden mystery that lies in its walls.

The Grand Hotel is a horror novel by esteemed author Scott Kenemore ( Zen of Zombie, Zombie, Ohio) that takes the reader on a thrilling ride that interconnects a series of stories narrated by the desk clerk of the Grand Hotel. While it is not known whether or not the desk clerk is actually the devil reincarnated, it is strange that many of the people who come for a tour of the hotel never leave.

As the narrator takes you deeper and deeper into the heart of the hotel, he starts wondering if all the secrets that have been hiding for so long may soon start to show themselves. While he is quite ready for this experience, the real question is if the rest of the world is.

Kenemore’s incredible style and originality carry The Grand Hotel to places most people only see in their nightmares. And while we don’t know what secrets lie in the Grand Hotel, all we know is that the person who holds the secret puts fear into the narrator himself-a thought which will terrify everyone.

Kandri Hinjuman was never meant to be a soldier. His brother Mektu was never meant for this world. Rivals since childhood, they are drafted into a horrific war led by a madwoman-Prophet, and survive each day only by hiding their disbelief. Kandri is good at blending in, but Mektu is hopeless: impulsive, erratic-and certain that a demon is stalking him. Is this madness or a second sense? Either way, Kandri knows that Mektu’s antics will land them both in early graves.

But all bets are off when the brothers’ simmering feud explodes into violence, and holy blood is spilled. Kandri and Mektu are taken for contract killers and must flee for their lives-to the one place where they can hope to disappear: the sprawling desert known as the Land that Eats Men. In this eerie wilderness, the terrain is as deadly as the monsters, ghouls, and traffickers in human flesh. Here the brothers find strange allies: an aging warlord, a desert nomad searching for her family, a lethal child-soldier still in her teens. They also find themselves in possession of a secret that could bring peace to the continent of Urrath. Or unthinkable carnage.

On their heels are the Prophet’s death squads. Ahead lie warring armies, sandstorms, evil spirits and the deeper evil of human greed. But hope beckons as well-if the “Master Assassins” can expose the lie that has made them the world’s most wanted men.

In this thrilling second book of the Earthborn trilogy, Lucas and Asha have survived the decimation of Earth at the hands of the invading Xalans and seek safe haven with their enemy’s true foes, the Sorans. They find a lush planet inhabited by a civilization far more advanced than their own, waging a seemingly endless war against a constantly evolving enemy.

The Sorans call the pair of them the “Earthborn” and they’re welcomed as heroes, almost as gods. To an audience of billions, they swear an oath to avenge their fallen planet by aiding the Sorans in their war against Xala. But soon Lucas and Asha find Sora just as dangerous as apocalyptic Earth when they’re targeted by the Fourth Order, a rebel collective who decries them as false prophets and harbingers of further bloodshed.

Their friend and turncoat Xalan scientist Alpha believes he’s located someone who can help them turn the tide of the war for good, stranded on a conquered colony planet. But landing on the new world, Lucas and Asha find themselves hunted by a violent, mysterious beast, known only as the Desecrator, let loose by the Xalans.

Escaping Earth was only the beginning. As Lucas and Asha quickly learn, the universe has worlds and creatures far more dangerous than anything their home planet could have offered, and their continued survival hinges on gaining new allies they never could have imagined.

For eons, King Oblivion, Ph.D., was one of the most ruthless supervillains the world has ever known. As the CEO of the ISS (International Society of Supervillains) for half a century, he was personally responsible for numerous nefarious acts, including Nixon’s presidential election, stealing the country of Japan, Star Wars: Episode I-III, and Milli Vanilli, just to name a few.

Since his untimely (and inexplicable) passing, Matt D. Wilson, who was found rotting in one of Oblivion’s numerous dungeons, has discovered in his giant lair (located in the Earth’s mantle) what seems to be the early workings of the villain’s ultimate manifesto. Though in-depth research (and paper cuts), Wilson reviewed endless documents and has compiled numerous unedited chapters, email correspondences, and various threats which combine tell the “life story” of this anti-hero.

Supreme Villainy is an intimate look into the mastermind who once ruled the globe with an iron fist (and ray gun). For the first time ever, readers will learn of his birth (which has never been noted on record), rise to power, and domination of the world as we know it today. Revealed inside are never-before-seen notes, illustrations, and personal letters which, now collected, show a glimpse into the once-infamous villain’s uncompleted manuscript, and maybe a hint into who the real man was behind that horrible mask.

Xhea has no magic. Born without the power that everyone else takes for granted, Xhea is an outcast-no way to earn a living, buy food, or change the life that fate has dealt her. Yet she has a unique talent: the ability to see ghosts and the tethers that bind them to the living world, which she uses to scratch out a bare existence in the ruins beneath the City’s floating Towers.

When a rich City man comes to her with a young woman’s ghost tethered to his chest, Xhea has no idea that this ghost will change everything. The ghost, Shai, is a Radiant, a rare person who generates so much power that the Towers use it to fuel their magic, heedless of the pain such use causes. Shai’s home Tower is desperate to get the ghost back and force her into a body-any body-so that it can regain its position, while the Tower’s rivals seek the ghost to use her magic for their own ends. Caught between a multitude of enemies and desperate to save Shai, Xhea thinks herself powerless-until a strange magic wakes within her. Magic dark and slow, like rising smoke, like seeping oil. A magic whose very touch brings death.

With two extremely strong female protagonists, Radiant is a story of fighting for what you believe in and finding strength that you never thought you had.

Once, Xhea’s wants were simple: enough to eat, safety in the underground, and the hit of bright payment to transform her gray-cast world into color. But in the aftermath of her rescue of the Radiant ghost Shai, she realizes the life she had known is gone forever.

In the two months since her fall from the City, Xhea has hidden in skyscraper Edren, sheltered and attempting to heal. But soon even she must face the troubling truth that she might never walk again. Shai, ever faithful, has stayed by her side-but the ghost’s very presence has sent untold fortunes into Edren’s coffers and dangerously unbalanced the Lower City’s political balance.

War is brewing. Beyond Edren’s walls, the other skyscrapers have heard tell of the Radiant ghost and the power she holds; rumors, too, speak of the girl who sees ghosts who might be the key to controlling that power. Soon, assassins stalk the skyscrapers’ darkened corridors while armies gather in the streets. But Shai’s magic is not the only prize-nor the only power that could change everything. At last, Xhea begins to learn of her strange dark magic, and why even whispers of its presence are enough to make the Lower City elite tremble in fear.

Together, Xhea and Shai may have the power to stop a war-or become a weapon great enough to bring the City to its knees. That is, if the magic doesn’t destroy them first.

A cyber-dystopian thriller unlike any other.

In a near future Tokyo, every action-from blinking to sexual intercourse-is intellectual property owned by corporations that charge licensing fees. A BodyBank computer system implanted in each citizen records their movements from moment to moment, and connects them to the audio-visual overlay of the ImmaNet, so that every inch of this cyber-dystopian metropolis crawls with information and shifting cinematic promotainment.

Amon Kenzaki works as a Liquidator for the Global Action Transaction Authority. His job is to capture bankrupt citizens, remove their BodyBank, and banish them to BankDeath Camps where they are forever cut off from the action-transaction economy. Amon always plays by the rules and is steadily climbing the Liquidation Ministry ladder.

With his savings accumulating and another promotion coming, everything seems to be going well, until he is asked to cash crash a charismatic politician and model citizen, and soon after is charged for an incredibly expensive action called “jubilee” that he is sure he never performed. To restore balance to his account, Amon must unravel the secret of jubilee, but quickly finds himself asking dangerous questions about the system to which he’s devoted his life, and the costly investigation only drags him closer and closer to the pit of bankruptcy.

In book one of the Jubilee Cycle, Cash Crash Jubilee, debut novelist Eli K. P. William wields the incisive power of speculative fiction to show how, in a world of corporate finance run amok, one man will do everything for the sake of truth and justice.

The galaxy is mired in a cold war between two superpowers, the Illyrican Empire and the Commonwealth. Thrust between this struggle are Simon Kovalic, the Commonwealth’s preeminent spy, and Kyle Rankin, a lowly soldier happily scrubbing toilets on Sabea, a remote and isolated planet. However, nothing is as it seems.

Kyle Rankin is a lie. His real name is Eli Brody, and he fled his home world of Caledonia years ago. Simon Kovalic knows Caledonia is a lit fuse hurtling towards detonation. The past Brody so desperately tried to abandon can grant him access to people and places that are off limits even to a professional spy like Kovalic.

Kovalic needs Eli Brody to come home and face his past. With Brody suddenly cast in a play he never auditioned for, he and Kovalic will quickly realize it’s everything they don’t know that will tip the scales of galactic peace. Sounds like a desperate plan, sure, but what gambit isn’t?

The Caledonian Gambit is a throwback to the classic sci-fi adventures of spies and off-world politics, but filled to the brim with modern sensibilities.

In the aftermath of World War II, 8-year-old Luellen Enright is orphaned and shipped to San Francisco and the care of a covetous aunt, over-friendly uncle, and adolescent male cousins.
Her only friend is a neighbor boy-the sickly and eccentric “Chickweed”, who writes in his “Book of Dreams” and makes home movies. Lulu suffers indignities and all manner of abuse, is finally accused of murder, and sent to juvenile detention.
Years later Lulu sets out to reclaim what was taken from her-a priceless Sung vase left by her missionary father, baldly stolen by her aunt.
One of four Jack Vance mystery novels which never found a mainstream publisher, The View from Chickweed’s Window tells in delicate detail the misery of a defenseless child in the hands of unpleasant adults, and cruel older children. In typical style Vance gives us a robust heroine who, rather than crushed by hardship-is instead motivated strongly to restore justice, with a focus on result over scruple!

On Earth, life held for him only the fate of a recluse, confined to daydreams and the lore of ancient wonders but apparently destined never to share them – until he found the formula that let him cross space to the world of the Green Star. There, appearing in the body of a fabled hero, he is to experience all that his heroic fantasies had yearned for. A princess to be saved . . . an invader to be thwarted . . . and otherworldly monsters to be faced!

A thrilling adventure in the grand tradition of Edgar Rice Burroughs, as only Lin Carter can tell it!

There is magic in the grand old tales that have survived through centuries of time. Even the names of the books have a ring that sets the blood pounding – THE VOLSUNG SAGA, THE SHAH-NAMAH, THE MABINOGIAN.

From all over the world, from all periods of ancient time, the great myths and heroic tales thunder down through the ages. Each country, each region has its legends. Somewhere, sometime, somehow, some often unknown scribe has set the tales down in permanent form.

In this volume, Lin Carter has gathered together samplings from this richest of all sources of adult fantasy and although their original names may sometimes be anonymous, there surely has never been such a pride of taletellers together at one time as we have in DRAGONS, ELVES AND HEROES.

Better to be a queen than a pawn…

Kate Mossland is an ordinary teenager in a strange and dangerous land. She has crossed the gordath, the portal between our world and Aeritan, and may never go home again. She has accepted her new life as foster daughter to Lord Terrick and is engaged to be married to his son Colar, a young noble whose life she saved and whom she loves.

But all is not easy in the House of Terrick. The servants distrust her, the men-at-arms disdain her, and learning how to be a great lady is harder than it looks. Every misstep brings her closer to ruin, and Kate must walk a fine line between independent teen and modest noblewoman.

When the youngest son of Lord Terrick is kidnapped by armed thugs, Kate and a mysterious young girl named Ossen make a daring rescue. But her unladylike courage only strengthens her enemies’ hatred.

Then in a single blow Kate learns that her life is truly not her own. As Aeritan teeters on the brink of war, and promises once made are so easily broken, Lord Terrick demands that Kate submit to a new role.

But Kate is not so easily managed. Together with Ossen and the girl’s rough and roguish brothers, she leaves the protection of the only House she has known in Aeritan to choose her own path and find her true home.

In the marvel-adventure sagas of Edgar Rice Burroughs, Otis Adelbert Kline, and John Norman, has there ever been a situation such as befell the Earthling who found his way to the world under the Green Star? For while his real body lay crippled and silent under the sun of old Earth, his mind occupied the vigorous body of a young primitive on that alien planet of mighty trees, floating cities, and unmapped limits. And in that guise he had found incredible friends, a royal love, and inhuman and superhuman enemies. But no matter what predicament he was in – and as this book starts he is alone, abandoned on an uncharted sea – his courage never flagged though the greatest of risks would confront him as the Green Star rises.

In New York’s Long Island, in the unpredictable decade of the 1960s, a young boy laments the approaching close of summer and the advent of sixth grade. Growing up in a household with an overworked father whom he rarely sees, an alcoholic mother who paints wonderful canvases that are never displayed, an older brother who serves as both tormentor and protector, and a younger sister who inhabits her own secret world, the boy takes his amusements where he can find them. Some of his free time is spent in the basement of the family’s modest home, where he and his brother, Jim, have created Botch Town, a detailed cardboard replica of their community, complete with clay figurines representing friends and neighbors. And so the time passes with a not-always-reassuring sameness-until the night a prowler is reported stalking the neighborhood.

Appointing themselves ad hoc investigators, the brothers set out to aid the police-while their little sister, Mary, smokes cigarettes, speaks in other voices, inhabits alternate personas . . . and, unbeknownst to her older siblings, moves around the inanimate residents of Botch Town. But ensuing events add a shadowy cast to the boys’ night games: disappearances, deaths, and spectral sightings capped off by the arrival of a sinister man in a long white car trawling the neighborhood after dark. Strangest of all is the inescapable fact that every one of these troubling occurrences seems to correspond directly to the changes little Mary has made to the miniature town in the basement.

THE BALANCE BETWEEN LAW AND CHAOS has long been maintained by the rulers of Béarn, but the death of the current king has enabled the elves to magically substitute one of their own on the throne. And, under the leadership of Dh’arlo’mé, the dark elves are preparing to claim their long-sought vengeance on mankind.
But when the small party which set out to find and bring back the last possible heir to the throne returns to Béarn, Dh’arlo’mé realizes that even magic and murder combined will not be enough to overturn the balance. Now his solution must hinge on Béarn’s burden and treasure: the Staffs of Law and Chaos. Within these plain-pieces of wood dwell the essences of Law and Chaos, each eternally seeking its Champion to destroy the other.
Lured into one Staff’s power, Dh’arlo’mé seeks to seduce the mortals into championing the other. And with all the worlds teetering on the brink of doom, it falls to Colbey Calistinsson – son of the god Thor and the greatest of Renshai warriors – to select that Champion. If he chooses wrongly, all life will come to an end. Yet even success will come at a high price. For the only way to insure that this danger can never arise again, is for both Champions and Staffs to be totally annihilated.

Colbey, last of the Renshai, has completed his duties in the mortal world. Now he must face the Seven Tasks of Wizardry and learn whether he is truly the next Western Wizard, the keeper of neutrality. But even as he endures these god- controlled challenges, he learns there is an eighth, far more dangerous task. Dangerous not only to himself but to the worlds of both humans and gods. And even if he survives it, there are those among the gods, wizards and mortals alike who will unite against him – and their actions could catalyse destruction on a scale never yet conceived.

Each volume of The Last of the Renshai is a stand-alone adventure; they can also be read in sequence. Centred on the adventures of a lone hero, they form an engrossing sword-and-sorcery epic

In his epic adventures in the alternative Twentieth Centuries, Chrononaut Oswald Bastable, member of the League of Temporal Adventurers, has crossed and re-crossed many different time-streams. Some of his previous experiences have been told in The Land Leviathan and The Warlord of the Air.Now, in what may be the last communication from him, he tells of a world in which the Bolshevik Revolution never happened…

The Steel Tsar finds him travelling backwards in time from a shell-shocked Singapore to a Russian Empire seething with conflict and preyed on by motley bands of rogues and adventurers. Here he meets up with fellow-time-traveler Miss Una Persson, and together they change the course of a history whose legendary deeds exceed the bounds of everyday imagination and glitter in the exuberant land of the eternal present.

The legends of a fabled land of the lost have floated for centuries around the bazaars of North Africa and the sand-surrounded oases of the vast Sahara. They tell of treasure caravans that have never returned, of weird monsters forgotten by time, of savage peoples surviving out of antiquity.
Eric Carstairs had heard these tales but until he met Professor Potter he did not really believe them. But the famous palaeontologist had the location of the entrance to the Underground World pinned down, and wanted only a man of courage to fly him there.
Carstairs and Potter took the chance – and pierced the pit to Zanthodon, a world within the world, where cavemen and cave-beasts roamed side by side with dinosaur-monsters of millions of years ago.

The Galaxy is a big place, made up of thousands of millions of worlds, and the work of exploration will probably never be entirely completed. But various systems within the Galaxy, each with its own particular humanoid race if intelligent beings, have joined in galactic federation for the mutual good of all concerned. Once major snag remained: speedy communication.

When space travel velocities were increased by the introduction of 5C drive on all but local planetary working vessels the way was opened to enormously expanded regions of movement. Piet Tek, captain of a space tramp, tells of what happened when the secret of instantaneous communication was prematurely exploited by unscrupulous people in search of power.

Hidden away from the world by his mother, the powerful sorceress Heloise Oliver, Pierce has grown up working in her restaurant in Desolation Point. One day, unexpectedly, strangers pass through town on the way to the legendary capital city. Look for us, they tell Pierce, if you come to Severluna. You might find a place for yourself in King Arden s court.

Lured by a future far away from the bleak northern coast, Pierce makes his choice. Heloise, bereft and furious, tells her son the truth: about his father, a knight in King Arden s court; about an older brother he never knew existed; about his father s destructive love for King Arden s queen, and Heloise s decision to raise her younger son alone.

As Pierce journeys to Severluna, his path twists and turns through other lives and mysteries: an inn where ancient rites are celebrated, though no one will speak of them; a legendary local chef whose delicacies leave diners slowly withering from hunger; his mysterious wife, who steals Pierce s heart; a young woman whose need to escape is even greater than Pierce s; and finally, in Severluna, King Arden’s youngest son, who is urged by strange and lovely forces to sacrifice his father s kingdom.
Things are changing in that kingdom. Oldmagic is on the rise. The immensely powerful artifact of an ancient god has come to light, and the king is gathering his knights to quest for this profound mystery, which may restore the kingdom to its former glory or destroy it…”

Earth was a weird and dire place after the plagues.

The few humans who survived could not bear the touch of each other; they lived in the enormous, endless caverns hacked out of the bowels of the earth for the bombs that never came.

And on one man rested the hopes of the world, though he did not know it. Sam Sewell only knew he had to journey, despite forbidding perils from the darkness of the past, into the ultimate fastnesses of the unknown to rescue the timeless wisdom of the witch Desponia . . .

The Calling. Sooner or later, it claimed every powerful warlock … a growing magical compulsion to go north to the mysterious land of Aldagmor that nothing could stop. None ever returned.

Hanner the Warlock knew his days were numbered. The Calling pulled at him ceaselessly now, and his ability to resist had begun to crumble. So he determined to find a place where the Calling couldn’t reach him . . . another world, located through a magic tapestry. Every warlock knew that the farther he was from Aldagmor, the weaker the Calling was – and the weaker his magic was, as well, but that was only a secondary consideration. That weakening had given Hanner the idea to find, or make, a place so distant from Aldagmor that the Call couldn’t reach it at all.

Unfortunately, the Call took him anyway. And that’s where his story really gets interesting. Because the Calling wasn’t what everyone believed. And when the warlocks who had been Called over the decades suddenly woke up again beside the object doing the calling – and found themselves without their powers – their world may never be the same!