Search Results for: otherness

Meet Luff Imbry, an insidiously clever confidence man …He likes good wine, good food, and good stolen goods, and he always maintains the upper hand. When a business rival gets the drop on him, he finds himself abandoned on Fulda–a far-off, isolated world with a history of its own. Unable to blend in and furious for revenge, Imbry has to rely on his infamous criminal wit to survive Fulda’s crusade to extinguish The Other. Hailed as the heir apparent to Jack Vance, Matthew Hughes brings us this speculative, richly imagined exploration of society on the far edges of extreme. A central character in Black Brillion, Luff Imbry is at last front and center in Hughes’s latest rollercoaster adventure through a far-future universe.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

Bleys Ahrens is now a political power on the planet Association, home of the Friendlies. His people – his Others, not Dorsai or Friendly or Exotic, but hybrids – are in place in all the new worlds and are ready to take his message to the greater human public. But within his inner circle is Henry McLean, Soldier of God, and a True Faith-Holder.

Henry fears for the soul of his nephew Bleys, and while he guards, he also watches and judges. And beyond Bleys Ahrens’ control is Hal Mayne: the one man in all the human worlds who might successfully challenge Bleys in his bid for power.

For Hal Mayne is the true culmination of the Cycle’s grand design. Bleys would give anything to convert Hal Mayne to his cause – or failing that, to destroy him.

Capturing a behind-the-scenes glimpse into the world of science fiction, this unique autobiography by Robert Silverberg shows how famous stories in this genre were conceived and written. Chronicling his career as one of the most important American science fiction writers of the 20th century, this account reveals how he rose to prominence as the pulp era was ending-and the genre was beginning to take on a more sophisticated tone-to eventually be named a Grand Master by the Science Fiction Writers of America.

In the royal palace of conquered Luscany, Princess Nette chafes at the bonds that confine her to a life of empty ceremony. Meanwhile, in a less salubrious quarter, Serin Guille’s father scents success in his search for the secret of immortality. Then a gypsy blade flashes at the ice fair. An imperial emissary lies bleeding by the frozen river, and the uneasy peace is shattered.

The Eschalan overlords will not rest until they have revenge. Serin saw it happen, saw the blow fall. Now she can never go home . . .

Spinrad examines one of his most compelling obsessions – the possible “futures” of America.
Street Meat: In New York City, streeties, zonies and subway cannibals are locked in a nighmarish scrabble for rat meat, sex – and survival.
The Lost Continent: group of African tourists visit the ruins of Space Age America – a surreal landscape of abandoned skyscrapers, empty streets and dead, rusted machinery.
World War Last: The hashish-smoking Sheik of Koram has a plan to trick America and Russia into war.
La Vie Continue: In Paris exiled science-fiction author Norman Spinrad ignores a lucrative – but dangerous – bidding war between the KGB and the CIA for the film rights to his story “Riding the Torch”.

One star-chained evening in a Manhattan bathroom, Carl Schirmer spontaneously combusts! His body transforms into light, mysteriously snatched from his banal life by an alien intelligence 130 billion years in the future. There, all spacetime is collapsing into a cosmic black hole, the Big Crunch – and a bold, cosmic destiny awaits Carl. Rebuilt from the remnants of his light by extraterrestrials for a cryptic purpose, he awakens in time’s last world, the strangest of all – the Werld.

At the edge of infinity, Carl discovers the Foke, nomadic humans who travel among the floating islands of the Werld. The Foke teach him how to live – and love – at the end of time, and he loses his heart to his plucky guide, the beautiful Evoë. Their life together in this blissful kingdom that knows no aging or disease brings them to rapture – until Evoë falls prey to the zotl, a spidery intelligence who hunt the Foke and eat the chemical by-products of their pain. In order to save his beloved from a gruesome death, Carl must return to Earth – 130 billion years earlier – where he is shocked to discover that the Earth he’s come back to is not the one he left.

Can he meet the harsh demands of his task before the zotl find him and begin ravishing the Earth?

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

Andrew Basnett, retired botany professor, accompanies an old friend, whose sister has received a blackmail letter, to her home in a Berkshire village. The letter had obviously been put in the wrong envelope, but it seems to indicate that a murder has been committed in Lindleham, where, strangely, several people are missing.

But as Andrew quietly investigates the neighbours, the realisation dawns that his friends, too, have something to hide.

The RIM STAR seemed to be an ordinary enough spaceship bound for the planet Handel on a routine mission. Then young Braden, a merchant-space officer, discovered that there was something all wrong about the RIM STAR . . . The captain was wrong, the crew mutinous, and there was even something going on with the passengers. The ship was in deadly danger . . .

For centuries space travelers had dreaded a place they called the Other Side of Nowhere – a place in the universe where up was down, where right was wrong, and where all direction was lost . . .

To save the RIM STAR Braden had to bring the ship to that place of nightmare. . .

Newark . . . Manhattan . . . Baltimore – one by one they went out. A succession of thriving communities suddenly put out like a guttered flame. Men, women, children sprawled like grotesque manikins.

Steve Waldron knew it couldn’t be plague. There had to be some connection with the disappearance of the nation’s top scientists. And then he plunged to the center of a dead city and gaped at an unbelievable truth. What could he do against a force fearsome enough to engulf the entire nation?

Welcome to a haunted world; the world of Keith Roberts’ powerful and unique imagination. These stories show Roberts’ fascination for the curious and unclassifiable; and as ever, his mastery of character and detail. ‘Susan’ introduces the reader to a schoolgirl with awesome psychic powers; but the sensitive treatment turns a shock situation into a brilliant fable, while ‘The Scarlet Lady’, predating Stephen King’s Christine, has the genuine stench of petrol, oil and demons. ‘The Eastern Windows’ chillingly continues the theme; by contrast, ‘Winderwood’ introduces us to a fearsome locale that Roberts insists is real. ‘Mrs. Cibber’ transports the reader, with complete conviction, to the smog-ridden London of the fifties and unfolds the strange tale of a young graphic designer haunted by a woman from the eighteenth century. ‘The Snake Princess’, equally atmospheric, tells the story of a boy’s doomed, bizarre love, while ‘Everything in the Garden’ presents the tour de force of a haunting within a haunting.

In his first story collection, Robert Charles Wilson, one of the most distinguished SF authors of his generation, weaves a tapestry of tales set in and around the city of Toronto – a haunted, numinous Toronto of past, present and future, buzzing with strangeness.


In “The Fields of Abraham”, one of three stories written especially for this collection, an impoverished immigrant boy is trained in strange disciplines by a bookseller who is more than he seems. In “The Perseids”, winner of Canada’s national SF award, love and amateur astronomy weave in and out of a terrifying tale of forced human evolution. In “The Observers”, an awkward young Canadian girl who sees extra-human presences has an extraordinary encounter in 1950s California with Edwin Hubble. In “Plato’s Mirror”, a professional New Age charlatan has a genuine and terrible encounter with the extraordinary. And in the Hugo-nominated “Divide by Infinity”, an aging Toronto book-lover finds himself becoming, literally, increasingly unlikely.


Throughout are showcased Wilson’s suppleness and storytelling strength: bravura ideas, scientific rigor and living, breathing human beings facing choices that matter in a universe stranger than we can imagine.

This second collection of Watson’s short stories further demonstrates his seemingly inexhaustible imagination. In ‘The Thousand Cuts’ the entire human race finds its consciousness blanked out for varying periods, but life seems somehow to have gone on in the missing days, and indeed, previously intractable problems have moved towards a solution. In ‘Sunstroke’ a doctor blinded accidentally during the voyage to a seemingly benign new world becomes gradually aware of disturbing changes afflicting her sighted companions. These stories, and many others, confirm Watson’s place in the forefront of contemporary SF writers.

In the town of Trujillo, in Honduras, on the edge of the Mosquito Coast, Dr. Arturo Ochoa, a semi-retired psychiatrist, has a single patient: a troubled young man named Thomas Stearns, the son of a wealthy Atlanta family.

Stearns has been found adrift on the Caribbean in a vessel owned by two Nicaraguans, both of whom are missing; he has been alone for eighteen days and has little memory of that time. Suspected of murder, Stearns is unconcerned. He knows his family will buy off the police. But he is reluctant to leave Trujillo, having developed an odd affinity for the town.

As therapy progresses, he tells of a mysterious stone figure regurgitated by, improbably, a whirlpool, and Dr. Ochoa – drawn into his pathology – begins to doubt not only Stearns’ sanity, but his own . . .

For is latest invention, physicist Mason Brooks needs financial backing. To this end, he invites his wealthy sister Vera and her fiancé, Dr Douglas Ashfield, to witness a demonstration. There is an explosion and the experiment goes horribly wrong, and Vera is not only blind but has lost her eyes entirely. Then, to restore her sight, Vera undergoes a dangerous surgical experiment which results in plunging all three of them into an astonishing web of mystery and intrigue…

Six stories from Phillip Mann, taken from his long and varied career.

Includes stories from the Out of Time Cafe, a very unusual refuge from reality. It attracts people afflicted with a deep malaise. It offers what seems from the outside to be sanctuary, but it can be subversive too, for on entering the cafe, one gives up a certain amount of independence, and before one knows it one is trapped. There is no escape… save one: the lift which services the cellars descends… but no one who has used the lift has ever returned. On a brighter note, the cafe has a will of its own, and travels different dimensions with ease and every journey is a new beginning.

Also featured are The Gospel According to Mickey Mouse, originally produced as a hugely successful radio play; Maestro;Lux in Tenebris, a cautionary tale about a medieval stonemason’s encounter with an anachronism and the effect it has on his culture; and An Old Fashioned Story, wherein Jody is having problems with his Sythno companion Elizabeth, who head butted him without warning. He is attempting to repair her. Then Elizabeth and her Sythno Joseph from next door drop in…

BLINDING LIGHT, NOISE BEYOND SOUND – A JOURNEY INTO NOTHINGNESS…

Imperial Intelligence Agent Brion Bayard was catapulted into nothingness by an unknown force and woke to find himself in a universe not his own. Surrounded by hulking, cannibalistic ape men who called themselves Hagroon, Bayard was soon entrapped in a web of time lines. He found himself running from the Hagroon into the arms of Dzok, the educated monkey man of Xonijeel; transported by Dzok to a universe where Napoleon the Fifth was in power and left there to the tender powers of the beautiful witch Olivia; struggling with the bonds of a fictitious past, always striving to regain his lost universe of Zero-zero Stockholm so he could bring the warning which might save his world from sudden, violent death…

What did our ancestors dream of when they gazed up at the stars and looked beyond the present?

A Journey in Other Worlds races far ahead of the nineteenth century to imagine what life would be like in the year 2000. At the beginning of the twenty-first century, Earth is effectively a corporate technocracy, with big businesses using incredible advances in science to improve life on the planet as a whole. Seeking other planets habitable for the growing human population, the spaceship Callisto, powered by an antigravitational force known as apergy, embarks on a momentous tour of the solar system. Jupiter proves to be a wilderness paradise, full of threatening beasts and landscapes of inspired beauty, where the explorers must fight for their lives. Dangers less tangible but equally deadly await the Callisto crew on Saturn, which yields profound secrets about their fate and the ultimate destiny of mankind.

The tenth novel in the New York Times bestselling Longmire series, featuring Sheriff Walt Longmire.

Walt Longmire is sinking into high-plains winter discontent when his former boss, Lucian Conally, asks him to take on a mercy case in a neighbouring county. An old friend, Detective Gerald Holman, has taken his own life, and Lucian wants to know why. With the clock ticking on the birth of his first grandchild, Walt learns that the by-the-book detective might have suppressed evidence concerning three missing women.

Digging deeper, Walt uncovers an incriminating secret so dark that it threatens to claim other lives even before the sheriff can serve justice . . . Wyoming style.

This collection brings together the ten earliest stories in Brian Stableford’s series of “Tales of the Biotech Revolution,” all written in the 1980s, except for one anomalous example from the 1960s. The dates in some of the stories, located a comfortable distance in the future when the stories were written, have now long past, revealing certain anomalies of early expectation; but they have been left unaltered, as nostalgic samples of yesterday’s long-dead and perhaps much-lamented tomorrows. The collection begins and ends, as is surely only appropriate, with flamboyant utopian fantasies boldly asserting the perfectibility of humankind and the world of which the species has custody.

From the award-winning author of Majestrum, Template, and The Other, this collection of short stories ranges from the thoughtful to the whimsical. Most of them appeared first in The Magazine of Fantasy & Science Fiction and Asimov’s. Others were written for the bespoke anthologies: Songs of the Dying Earth, Old Mars, and Welcome to the Greenhouse; one is published here for the first time.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

In Old Earth’s penultimate age, the corpulent master criminal Luff Imbry moves through the halfworld like a full-fleshed shark. Thief, forger, confidence man, and sometimes go-between, he maps out his illicit operations with exquisite care then carries them out with courage and panache. But, often, things don’t go as Luff planned, and he must call upon a talent for improvisation and a ruthless will to survive.

This collection brings together seven short stories and novelettes previously published in Postscripts, The Magazine of Fantasy & Science Fiction, and the anthology Forbidden Planets, plus two novellas formerly only available in limited editions. It offers Luff Imbry in all his moods and guises.

Finalist for the 2014 Endeavour Award.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

In this collection of eight stories by one of America’s most gifted writers, Helen McCloy takes the reader into a world of mystery and imagination.

In the signature story – ‘The Singing Diamonds’ – Mathilde Verworn enlists the help of Basil Willing, a psychiatrist-sleuth, to answer the question of whether there is such a thing as collective hallucination. Six people from six different locations testify to seeing diamond-shaped objects in the sky, and four of those six have died in peculiar circumstances in the past twelve days …

‘Her most important book since ALWAYS COMING HOME and her most satisfactory collection since her first, the brilliant THE WIND’S TWELVE QUARTERS.

A formidable and rewarding work, a prime candidate for best SF collection of the year. An essential book.’ LOCUS
Six of the eight piece are set in Le Guin’s classic Hainish cycle. The title story, ‘The Birthday of the World’, stands alone and the final piece, ‘Paradises Lost’, is a new short novel original to the collection, a major addition to the generation starship subgenre of science fiction.

When an out-worlder’s body was found in the river, Thissel knew where the criminal was – behind one of the masks worn by the remaining out-worlders on Sirene. But how could he tell which one, on a world where everybody lived behind masks, where men never spoke but sang to instruments, and where any act of intervention with another man’s business was punishable by death!