Search Results for: juggernaut

Most of the problems were solved in the 29th century. War was a memory. Disease was almost conquered. Old age and Death were held at bay. It was a glad world. A brave new world. Humanity had grown up. And then It came… At first the dare-devil pioneers from the far-flung corners of the universe brought back strange tales of a mountain that walked. The reign of terror spread from planet to planet, until the authorities sat up and took notice. By the time someone with enough initiative to re-open the long disused weapon shops, came on the scene, it was almost too late. Time was against them. Atomic bomb wouldn’t smash that creature, neither would heat rays nor energy bolts. It left a train of utter chaos and devastation behind it as it strode imperiously through the galaxy.

What would the world be like if the Russians discovered how to beat us at our own capitalistic game, and began dumping inexpensive, quality goods on the world market?

In this brand new novel, Mack Reynolds deposits us into just such a future. It is a world where America is rapidly being turned into a second-rate power as its industries go bankrupt. A world that is falling under the wheels of the Soviet juggernaut, peacefully and passively. It is a world where the U.S. has only one way to retaliate – by bringing a little religion into the Soviet Union, a very special religion.

Ladies from Hell contains five long stories.

“The Shack at Great Cross Halt” describes a Britain dominated by motorways, juggernauts and a tyranny, in which the unfortunates of society eke out a miserable existence scavenging items that fall off lorries.

“The Ministry of Children” shows comprehensive schools having become terrifying battlegrounds dominated by vicious gangs.

“The Big Fans” concerns an experiment in wind-powered electricity which accidentally unleashes an apocalyptic storm of effects.

“Our Lady of Destruction” ironically depicts a future in which a Stalinist British government taxes ‘non-productive’ people (i.e. artists) at over 100% and assigns them individual Overseers to regulate their work.

“Missa Privata” shows an opera singer in a communist-dominated Britain making a defiant individual gesture which will bring about her own ruin.

These are not stories of spaceships and alien worlds; rather they are studies of imminent social change, written out of passionate concern about the directions in which our society may be heading – stories, in fact, in the great Orwellian tradition. Most importantly, they are stories about people: believable, defiant individuals struggling against oppressive forces.