Search Results for: four-encounters

Four Encounters is an unfinished work by the writer and philosopher Olaf Stapledon, written in the late 1940s but only published 26 years after the author’s death. It takes place in contemporary (post World War II) Britain, and describes four meetings with various characters who are named for the spiritual quality that best defines them: a Christian, a scientist, a mystic and a revolutionary. There were originally to have been ten encounters, but Stapledon died before the project was completed.

Bursting right through the four-dimensional travel zone of subspace, Tellurian psiontists make an amazing discovery on the other side.

Beyond the bounds of subspace, a parallel universe is cruelly ruled by a violent, murderous empire, the Justiciate, where psiontists are ruthlessly hunted down and fed to giant eagles.

And within the Justiciate are lodged spies and traitors, dedicated to its overthrow – evil agents of the proud Garshan ‘master race’.

The arrival of the psiontists from Tellus triggers off a truly spectacular space adventure…

The fifth and final adventure of Carson Napier among the exotic peoples and beasts of Amtor is Burroughs’ THE WIZARD OF VENUS. Sequel to his fabulous four Venus novels, it is an adventure not to be missed as Napier encounters a new kind of science and a new master of alien deviltry.

The four novellas in Quatrain are set in worlds of Archangel, Heart of Gold, Summers at Castle Auburn, and Mystic and Rider. “Flight” follows a former angel-seeker who used to be in love with the Archangel Raphael and now is determined to keep her beautiful niece from making her same mistakes. “Blood” is the story of a fierce young gulden man who comes to the city to seek his mother, whom he hasn’t seen since he was a boy and she ran away from his abusive father. In “Gold,” a crown princess escapes the hazards of war by hiding among the fairylike aliora, where she encounters an altogether different sort of danger. And in “Flame,” the mystic Senneth uses her magic to save a little girl, an act that wins her new friends but puts her own life at risk.

Ian Watson’s latest collection shows the same range and apparently inexhaustible fund of ideas that have characterized all his previous books. No other contemporary figure in SF is so prolific or inventive a writer of short stories. In the title story we immediately encounter a phantasmagoric vision of a society increasingly dependent on recycling its usable material; other brilliant inventions include a planet inhabited by lemur-like aliens who bafflingly produce marvellously finished stone carvings without apparently having the tools to do so (‘The Moon and Michelangelo’); people fighting their way through the various levels of what appears to be a real-life version of a computer adventure game (‘Jewels in an Angel’s Wing’); and a zoo in which are caged the extensions into our universe of four-dimensional hyberbeings (‘Hyperzoo’). And that is only the beginning: there are fifteen stories in all, each one a state-of-the-art example of short science fiction at its finest.

Shon knew that the Taken must die. Death had touched them, and the evil spirits which issued from Death’s Place to the east beyond the valley Took away the souls of the living. It was the law of Shon’s people, who seldom ventured far from their simple huthouses in Pine Walk, except to hunt boar in the forest. And even the forest was not completely safe, for across the river at its eastern edge lay Crow Mork, Death’s Place, and in the stories Crow himself, who was Death, rode there with Crow’s People, Death’s children, on strange four-legged beasts shod with white metal and swift as the wind.

Lost in the dark forest, Shon encountered Death’s Children. ‘Don’t go home,’ the dead girl told him – he was almost sure it was a girl, though her face was a black void in the night. But there was nowhere else to go. They would kill him, of course; being Taken, they would have to.

Yet Shon escaped that death – though he was to meet Death in Death’s Place, and learn the extraordinary truth about it.