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A satirical novel of one Englishman, a Mr. Edward Albert Tewler, from cradle to grave.

The Cradle was the starting point of the strange alien race that had colonised the galaxy while Man was still a cell floating in a warm primeval sea, From here must have surged the expanding tide of life that had built the enigmatic ruins, the constructions of rare and priceless materials. Beings who had left their mark for the new and curious race of Man to stare at, and to wonder at the mystery of the Cradle-the golden hoard of undreamed wealth for the first men to discover it.

To Rex Tendris and his two friends came the coordinates that could lead them to the legendary treasure. They set out on a voyage to find it-but it was a voyage into hell!

The second book in the Urban Nucleus series, containing the following:

Prelude: The Domes (1978)
If a Flower Could Eclipse (1970)
Interlude: The Testimony of Leland Turner (1979)
Old Folks at Home (1978)
Interlude: The City Takes Care of Its Own (1979)
The Windows in Dante’s Hell (1973)
Interlude: Volplaning Heroes (1979)
The Samurai and the Willows (1976)
Interlude: First Councilor Lesser (1979)
Allegiances (1975)
Interlude: The Cradle Begins to Rock (1979)
At the Dixie-Apple with the Shoofly-Pie Kid (1977)
Interlude: The Fall of Saganella Lesser (1979)
Death Rehearsals (1979)

The Earth does not belong to man alone

The Himalayas bury their secrets well. Two skulls unearthed in the cradle of the human race – the remote heights of Kashmir – throw evolutionary theory into chaos. But a far more disturbing secret lies hidden deep in the bleak mountains and snow-swept valleys unseen by human eyes.

A few miles from the explosive triangle of tension where Afghanistan and Pakistan border on India the story of the century breaks. And the echoes of the most shattering revelation yet made to man threaten to plunge the world into total war which will turn the cradle of the human race into its final grave.

It is hard to say how it started – all the unexplained little signs of a new baby about the house in ‘The Silent Cradle’ – but soon none of the O’Bannons could deny that there had been a highly irregular addition to the family. In ‘Max Haunting’ a middle-aged hippie, preserved almost intact from the Sixties, starts showing up on the doorsteps of his old friends and loves who, in acquiring jobs and furniture, have ‘sold out’ rather less than he thought. Hauntings of curious varieties continue in other stories: the sort manufactured out of glass by a man who thinks his godly wife deserves a miracle; the visitation of a mother’s cruelty into the mind of her daughter as she confronts the frustrations of coping with her own child; the specters of opportunities lost or spurned which nag to be laid, like ghosts.



Elsewhere Leigh Kennedy considers the impulse of cannibalism in a future world whose greed has induced ecological upheaval, and the phenomenon of speaking in tongues as investigated by a sociology professor. She views the world through the eyes of a victim of seizures and of a primatologist whose devotion to apes has gone a bit too far.

Britain, years after the Debacle, and a new London has risen phoenix-like from near the ashes. Though Londoners have retained their physical purity through the ruthless destruction of generations of mutants, man is no longer the same, and society crueller. Cynicism and a whole-hearted recognition of the absolute power of money has replaced humanism, and a belief in reincarnation has replaced religion and the old moral code of ‘doing unto others . . .’ The individual can exist, has a right to exist, only if he is selfish.

Death is a Dream is the story of three survivors from the twentieth century who awake from suspended animation in The Cradle to find themselves unemployable, and unfit to live by virtue of their commitments to out-dated ideals. As well as being an investigation of the form society may take after an atomic war, it is, by association, an indictment of society as it is now.

When the US Navy’s new, state-of-the-art missile disappears after its test launch, panic ensues – if it ends up anywhere near civilians, the consequences could be massive. Where has it gone? What has happened?
Seemingly unconnected, journalist Carol Dawson is investigating the unusual sightings of whales in Miami, which may or may not be linked to the missing rocket. Armed with Oceanographic research equipment, Carol charters a boat skippered by Nick Williams and Jefferson Troy and heads to the Gulf of Mexico.
What they find can barely be explained but could be worth untold riches.
While Carol, Nick and Jefferson attempt to uncover the origin of the mysterious artefact they have discovered, they must dodge treasure hunters, the government, and consider the origin of humanity itself. Is this the First Contact? Or is it the last?