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At the end of the 22nd century, following a nuclear accident, the birth rate is falling.

Faced with a rapidly shrinking human race, governments come up with a solution: new people from old. Cloning.

But these Reborn people are kept closely monitored, in controlled scenarios. Will they really fit into futuristic society? What other secrets are being hidden outside of the worlds in which they are contained?

This final collection of Joan Aiken’s stories, taken from nearly sixty years of her writing career, is rooted in the classic fables and fairy tales familiar to us all, but which she has brought up to date by adding her own voice, and a touch of that mysterious added ingredient that makes you return to them again and again, at any age.

They range from fantastic fairy tales to science fiction, from a future where the sun no longer shines thanks to human folly, to one where all the best words are kept locked away in a forbidden forest . . . they take us to lands that could be from our own past, where we can call upon magical friends like the mysterious Miss Samphire, or long lost magic spells to save a castle from Viking attack. These are absolutely timeless tales, for as she said:


‘They come from nowhere, and they are aimed at nobody’s ear; or rather they are aimed at the ear of anybody who happens to pass by just at that moment’

These stories which have never been brought together before are taken from Joan Aiken’s earliest writing years in the 1950s and 1960s when she was working for the English short story magazine, Argosy where they were first published. They demonstrate her wide ranging stylistic ability, with subjects as diverse as a rented apartment that comes with a resident swan, a man who buys a girl in a crystal ball, an invisible man-eating tiger, or a psychiatric patient who can always, sometimes unfortunately, conjure up a 93 London bus.


All these ideas seem to pour out of an endless imagination, making bold use of eccentric and unexpected settings and characters, and at the same time demonstrating an evident delight in parodying a variety of literary styles from gothic to comedy, fantasy to folk tales selected from her incredible reading background. But Joan Aiken always repudiated the suggestion that she was “a born storyteller” she would always argue furiously that it was a craft, like oil painting or cabinet making that she had learned, practiced and developed over the years. She described this period of her life as a single-minded engagement with the writer’s craft; and her grasp of the short story form as the foundation of her literary career.

What is far from apparent from these wildly inventive and freewheeling tales, is that this was in fact a bitterly difficult period of Joan Aiken’s life, when not long after the end of the Second World War she was left widowed and homeless with two young children. Having made the brave decision to try and support herself and her family by writing, she applied for a job on this popular short story magazine. In many ways, as she often said subsequently, this period spent working at Argosy could not have been bettered, both as a wonderful distraction and consolation during a bad time, and as an unbeatable apprenticeship in the craft of writing.

In the late 1930’s as the threat of war is building in Germany, twelve year old Julia arrives to spend the summer with her famous playwright father, only to find herself alone with Trudl, her Austrian stepmother. With Trudl preoccupied by the plight of her fellow countrymen in Europe, Julia retreats into the scary Gothic novels left behind by her older siblings, and becomes haunted by dreams of Joshua Harken, the notorious alchemist who built the 17th century house, and then disappeared, accused of murder. Even after she joins forces with local boy Tim Bellyap to investigate the stories of Joshua’s ghost, she is afraid to tell anybody about the terrifying voices coming unbidden from somewhere inside her chest…

In a compelling exploration of loneliness and adolescent insecurities, peopled by ghosts from the old house, this is the powerful story of Julia’s awakening from her nightmare world.

Also published as Voices, and set in Joan Aiken’s own supposedly haunted childhood home, Jeake’s House in Rye, Sussex, this Y.A. ghost story draws on some of her own childhood memories to create an unusual thriller.

“When reduced to its essence, Julia’s story may not be so very different from that of Aiken’s Wolves Chronicles heroine Dido Twite: each girl must cope with a distant, unreliable father and learn to survive in a world peopled with self-absorbed adults. It is the exploration of these issues, even more than the fine storytelling, which makes this novel so compelling” Publisher’s Weekly
“Joan Aiken is the godsend to children who are at the age when they read as if there were no tomorrow” Washington Post

“An entertaining read, for readers who like to read suspenseful ghost stories with a hint of real menace. The ghostly elements of this story are nicely mirrored by the historical menace of the times, as Julia ruminates on the dangers of Hitler, whom she sees as a sort of spider, spreading his web out over Europe” Goodreads reviewer

In DAYMAKER, Zanne discovered her powers and the opposing forces of the Covenant and the Daymaker.

Nothing comes easily. With her fledgling magic training, Zanne has discovered that the history of Inland is more complex than she could have ever imagined, and its story contains horrors that could not be imagined.

On her journey, Zanne meets a young girl, Rat. Does this girl’s childlike curiosity bely a darker secret? Can Zanne restore Inland to its former glory?

Book two of the DAYMAKER series, by award-winning author Gwyneth Jones writing as Ann Halam, continues Zanne’s story and quest to find the truth behind her home. Perfect for fans of EARTHSEA, SHANNARA and THE CHRONICLES OF NARNIA.

Ten-year-old Zanne has lived on her parents’ farm in Garth her whole life, following the seasons as regularly as the years.

Everything changes when raiders come to their village, and Zanne uses her powers to save her family. Zanne’s mother – Keeper of the Covenant, binding life to their country – sends her to Covenant school. Zanne needs to be trained, and to put her powers to use for the good of Inland.

But there is a stronger force present than even Zanne realises. The call of the Daymaker, the legendary power from the time of the machines, pulls against the Covenant, and Zanne finds herself on a quest to discover its origins, and the truth of Inland’s history…

The first book in the DAYMAKER trilogy, this book by award-winning author Gwyneth Jones, writing as Ann Halam, is perfect for fans of Ursula Le Guin’s EARTHSEA trilogy.

Robs Hayward is a loner, a nobody. But when she plays the piano, she shines.

Cool kids Maddy and Jef ask her to join their band and she is giddy. They’re cool! They’re two years older than her! It’s a dream come true! Except for the part where their rehearsal space gets turned into a car park. Determined not to lose the first chance at being cool she’s ever had, Robs suggests the mysterious, derelict industrial building. The one in the Wild Park.

The one she’s afraid is haunted.

But the Council have repurposed it, and they share the space with the slightly eccentric Artist in Residence, and actually, everything is fine! Except for Maddy becoming obsessed with the murder mystery linked to the building.

And a seance is suggested.

And the ghost of a child that Robs sees out of the corner of her eye promises something more supernatural at play . . .

The Powerhouse is another chilling teen ghost story by award-winning author Gwyneth Jones, writing as Ann Halam. You can find more information on the writing Gwyneth did as Ann Halam on her website:http://www.gwynethjones.uk/HALAM.htm

Bjorn and Frytha share a bond, both orphans and survivors of Norman attacks on their homes in the Lake country. Growing up together in Jarl Buthar’s Norse stronghold, they become fast friends, with Bjorn dreaming of becoming a harper like his father.

As they come of age within this secret fortress, they hear word of the Norman attacks beyond their walls, drawing ever closer to the safety of their home.

Can they help protect their adoptive home and family, or will they lose everything all over again?

All is not well in Xy.

A faction of nobles who are plotting against the Queen and her barbarian warlord.

As cultures clash and tempers flare, Heath and the fierce Plains warrior woman Atira of the Bear must come together to fight the conspiracy… and to search their hearts for something deeper than raw passion.

Book four in the steamy Chronicles of the Warlands series continues to be just as sexy as the earlier novels, but this time a new romance blossoms out of rivalry . . .

One woman drugged, another murdered – and a cat is the only witness. If you like Miss Marple, you’ll love this!

Terrific classic crime – with a new introduction by Joyce Carol Oates.

‘You will never regret having made the acquaintance of Miss Rachel Murdock’ NEW YORK TIMES

When Rachel Murdock and her sister Jennifer receive a call for help from their favourite niece, Lilly, they quickly hop on a train to see her – but not before collecting their prized cat Samantha in a picnic basket and bringing her along for the ride. Samantha, it turns out, is an heiress, the inheritor of a fortune left by a wealthy relative, and so the attempt on the cat’s life, made right after they arrive, comes as a shock. The cat survives, but Lilly, murdered soon thereafter, is not so lucky.

By the time the police arrive, the clues are already falling into place, with gambling debts just being the tip of a brutal killing spree iceberg. With the authorities distracted by lurid details, it’s up to Rachel and her furry friend to uncover the truth.

A childhood haven becomes a house of death.

‘Rinehart’s literary distinction lies in the combination of love, humour and murder that she wove into her tales … She helped the mystery story grow up’ New York Times


Sunset House has been Marcia’s summer home for her entire life. Both of her parents died there, and she and her brother spent their youth exploring its rambling hallways and seaside grounds.

They love the old house, but Marcia’s sister-in-law has never taken to it. Juliette loathes the sea, and soon comes to loathe her husband, filing for divorce – and demanding alimony that could only be paid by the sale of Sunset House. A few days later Juliette disappears. And a week after that, her body is discovered.

Marcia must work quickly to keep her beloved childhood home from being forever spoiled. Whilst somewhere in Sunset House a murderer plans the next move…

A very very rich dowager is being scared to death . . .
A classic whodunit by a #1 bestselling author who ‘helped the mystery series grow up” (New York Times)

First a cloud of bats; then rats – it looks like someone is trying to frighten Eliza Fairbanks into her grave. At least that’s what the elderly widow claims is being done to her. Nurse Hilda Adams, aka “Miss Pinkerton” to the Homicide Bureau, believes Eliza’s fears could just be true . . .

And when a dubious assortment of relatives come visiting Eliza at the mansion, it’s Hilda’s job to keep an eye on Eliza before a potential killer resorts to more definitive means. And considering all the bad blood running through the heart of the Fairbanks family, it might already be too late to save her charge.

In the third book of his Zombie series, Scott Kenemore brings the explosive horror thriller of an undead outbreak in the city of Indianapolis. Zombie, Indiana takes place during the same timeline as the outbreaks in his books Zombie, Ohio and Zombie, Illinois, and has the same punch as the previous two.

Zombie, Indiana explores the impact of an invading zombie horde on a trio of Hoosier protagonists . . . each of whom have some dark secrets to keep. When the governor’s daughter mysteriously disappears on a field trip, IMPD Special Sergeant James Nolan, scholarship student Kesha Washington, and Governor Hank Burleson must all come together not only to find the governor’s daughter, but also to undertake a quest to redeem the very soul of the state itself . . . all while under constant attack from the living dead.

With humorous, memorable characters, tense action sequences, and brutal zombie violence, Zombie, Indiana will put readers in mind of some of the most compelling works of popular fiction. At once a mystery, a thriller, and a horror novel, Kenemore strikes again with this rollicking tour through America’s heartland that is nothing but a tour de force for zombie fiction fans!

The New Las Vegas Sunfield. One of the enormous solar farms that supplies energy to the United States. At more than fifty miles long and two miles wide, it generates an electromagnetic field so volatile that ordinary machinery and electronic devices can’t get near it. The only security that can protect it are descendants of the cowboys from the Old West. Grizzled men on horseback who patrol the desert in the scorching heat.
They are the Outriders.
While the sun is bright, the power from the Sunfield doesn’t come free. Franklin Dreg, the iron-fisted Mayor of New Las Vegas, demands complete deference in exchange for access. But someone doesn’t want to play ball – energy has been siphoned out of the grid under cover of darkness, on a giant scale. This isn’t a case of someone wanting free power, but the beginnings of a potential threat against the whole of society, bringing down the entire grid.
As the pressure mounts and cracks begin to appear in the political landscape, the Outriders must find the Drainers and stop them, before its too late.

When a desk clerk welcomes a group of tourists into his mysterious and crumbling hotel, the last thing he ever expected was that one girl on the tour might hold the power to unravel the hidden mystery that lies in its walls.

The Grand Hotel is a horror novel by esteemed author Scott Kenemore ( Zen of Zombie, Zombie, Ohio) that takes the reader on a thrilling ride that interconnects a series of stories narrated by the desk clerk of the Grand Hotel. While it is not known whether or not the desk clerk is actually the devil reincarnated, it is strange that many of the people who come for a tour of the hotel never leave.

As the narrator takes you deeper and deeper into the heart of the hotel, he starts wondering if all the secrets that have been hiding for so long may soon start to show themselves. While he is quite ready for this experience, the real question is if the rest of the world is.

Kenemore’s incredible style and originality carry The Grand Hotel to places most people only see in their nightmares. And while we don’t know what secrets lie in the Grand Hotel, all we know is that the person who holds the secret puts fear into the narrator himself-a thought which will terrify everyone.

It is a new world, stunned by the horrors that linger in the aftermath of total war. The United States and Soviet Union are squaring off in a different kind of conflict, one that’s fought in the shadows, where there are whispers of strange and mysterious developments. . .

Normal people across the United States have inexplicably gained paranormal abilities. A factory worker can heal the sick and injured. A schoolteacher bends emotions to her will. A car salesman alters matter with a simple touch. A former soldier speaks to the dying and gains their memories as they pass on.

They are the Variants, controlled by a secret government program called MAJESTIC-12 to open a new front in the Cold War.

From the deserts of Nevada to the palaces of Istanbul, the halls of power in Washington to the dark, oppressive streets of Prague, the Variants are thrown into a deadly game of shifting alliances. Amidst the seedy underbelly of nations, these once-ordinary Americans dropped in extraordinary circumstances will struggle to come to terms with their abilities as they fight to carve out a place for themselves in a world that may ultimately turn against them.

And as the MAJESTIC-12 program will soon discover, there are others out there like them, some with far more malevolent goals. . .

Josef Stalin is dead. In the aftermath, the Soviet Union is thrown into crisis, giving former secret police chief Laverentiy Beria exactly the opening he needs. Beria’s plan is to secretly place his country’s Variants-ordinary people mysteriously embued with strange, superhuman powers-into the very highest levels of leadership, where he can use them to stage a government coup and seize control of the USSR.

America’s response comes from its intelligence communities, including the American Variants recruited for the top-secret MAJESTIC-12 program, who are suddenly thrown into their most dangerous and important assignment yet. From the halls of the Kremlin to the battlefields of Korea, superpowered covert agents face off to determine the future of the planet-a future their very existence may ultimately threaten.

Eighteen-year-old Aidan Salt isn’t a superhero. With his powerful (and unpredictable) telekinetic abilities he could be one if he wanted to, but he doesn’t. He’s unambitious, selfish, and cowardly, and he doesn’t want to have to deal with all the paperwork required to become a professional superhero. But since the money, fame, and women that come with wearing the cape are appealing, he decides to become the first supervillain the world has seen in more than twenty years: Apex Strike.

However, he soon finds villainy in a world where the heroes have long since defeated all the supervillains. While half the world’s heroes seem to want him dead, the other half want to hire him as their own personal villain to keep them relevant. Choosing the latter course, Aidan enters a world of fame, fortune, and staged superhero fights that is seemingly everything he ever dreamed of . . . at least until he sees what truly hides behind the cape-and-mask lifestyle.

Xhea has no magic. Born without the power that everyone else takes for granted, Xhea is an outcast-no way to earn a living, buy food, or change the life that fate has dealt her. Yet she has a unique talent: the ability to see ghosts and the tethers that bind them to the living world, which she uses to scratch out a bare existence in the ruins beneath the City’s floating Towers.

When a rich City man comes to her with a young woman’s ghost tethered to his chest, Xhea has no idea that this ghost will change everything. The ghost, Shai, is a Radiant, a rare person who generates so much power that the Towers use it to fuel their magic, heedless of the pain such use causes. Shai’s home Tower is desperate to get the ghost back and force her into a body-any body-so that it can regain its position, while the Tower’s rivals seek the ghost to use her magic for their own ends. Caught between a multitude of enemies and desperate to save Shai, Xhea thinks herself powerless-until a strange magic wakes within her. Magic dark and slow, like rising smoke, like seeping oil. A magic whose very touch brings death.

With two extremely strong female protagonists, Radiant is a story of fighting for what you believe in and finding strength that you never thought you had.

Powerful war machines of the far-future collide across a barren desert world in this post-apocalyptic debut novel from award-winning Australian author Cat Sparks.

Seventeen-year-old Star and her sister Nene are orphans, part of a thirteen-wagon caravan of nomadic traders living hard lives travelling the Sand Road. Their route cuts through a particularly dangerous and unforgiving section of the Dead Red Heart, a war-ravaged desert landscape plagued by rogue semi-sentient machinery and other monsters from a bygone age.

But when the caravan witnesses a relic-Angel satellite unexpectedly crash to Earth, a chain of events begins that sends Star on a journey far away from the life she once knew. Shanghaied upon the sandship Dogwatch, she is forced to cross the Obsidian Sea by Quarrel, an ancient Templar supersoldier. Eventually shipwrecked, Star will have no choice but to place her trust in both thieves and priestesses while coming to terms with the grim reality of her past-and the horror of her unfolding destiny-as the terrible secret her sister had been desperate to protect her from begins to unravel.

Meanwhile, something old and powerful has woken in the desert. A Lotus Blue, deadliest of all the ancient war machines. A warrior with plans of its own, far more significant than a fallen Angel. Plans that do not include the survival of humanity.

A cyber-dystopian thriller unlike any other.

In a near future Tokyo, every action-from blinking to sexual intercourse-is intellectual property owned by corporations that charge licensing fees. A BodyBank computer system implanted in each citizen records their movements from moment to moment, and connects them to the audio-visual overlay of the ImmaNet, so that every inch of this cyber-dystopian metropolis crawls with information and shifting cinematic promotainment.

Amon Kenzaki works as a Liquidator for the Global Action Transaction Authority. His job is to capture bankrupt citizens, remove their BodyBank, and banish them to BankDeath Camps where they are forever cut off from the action-transaction economy. Amon always plays by the rules and is steadily climbing the Liquidation Ministry ladder.

With his savings accumulating and another promotion coming, everything seems to be going well, until he is asked to cash crash a charismatic politician and model citizen, and soon after is charged for an incredibly expensive action called “jubilee” that he is sure he never performed. To restore balance to his account, Amon must unravel the secret of jubilee, but quickly finds himself asking dangerous questions about the system to which he’s devoted his life, and the costly investigation only drags him closer and closer to the pit of bankruptcy.

In book one of the Jubilee Cycle, Cash Crash Jubilee, debut novelist Eli K. P. William wields the incisive power of speculative fiction to show how, in a world of corporate finance run amok, one man will do everything for the sake of truth and justice.

The galaxy is mired in a cold war between two superpowers, the Illyrican Empire and the Commonwealth. Thrust between this struggle are Simon Kovalic, the Commonwealth’s preeminent spy, and Kyle Rankin, a lowly soldier happily scrubbing toilets on Sabea, a remote and isolated planet. However, nothing is as it seems.

Kyle Rankin is a lie. His real name is Eli Brody, and he fled his home world of Caledonia years ago. Simon Kovalic knows Caledonia is a lit fuse hurtling towards detonation. The past Brody so desperately tried to abandon can grant him access to people and places that are off limits even to a professional spy like Kovalic.

Kovalic needs Eli Brody to come home and face his past. With Brody suddenly cast in a play he never auditioned for, he and Kovalic will quickly realize it’s everything they don’t know that will tip the scales of galactic peace. Sounds like a desperate plan, sure, but what gambit isn’t?

The Caledonian Gambit is a throwback to the classic sci-fi adventures of spies and off-world politics, but filled to the brim with modern sensibilities.

Remember what it’s like to last an entire night without sleep? That dull but constant headache. The feeling of your brain on edge. How easily irritated you were. How difficult it was to concentrate, even on seemingly menial tasks. It was just a single restless night, but everything felt just a little bit harder to do, and the only real comfort was knowing your head would finally hit the pillow at the end of the day, and when you awoke the next morning everything would return to normal.

But what if sleep didn’t come the next night? Or the night after? What might happen if you, your friends and family, your coworkers, the strangers you pass on the street, all slowly began to realize that rest might not ever come again?

How slowly might the world fall apart? How long would it take for a society without sleep to descend into chaos?

Sleep Over is collection of waking nightmares, a scrapbook of the haunting and poignant stories from those trapped in a world where the pillars of society are crumbling, and madness is slowly descending on a planet without rest.

Online vigilantism turns social media into a deadly gamble.

A freelance journalist grapples with the ethics of turning in footage of mass suicide.

A kidnapped hypnotist is held hostage by those at wit’s end for a cure.

In Sleep Over, these stories are just the beginning. Before the Longest Day, the world record was eleven days without sleep. It turns out most of us can go much longer.

An undead monster hunter must track down a killer, trailer-park-havoc-wreaking were-frog in this outrageous mash-up of Jim Butcher’s urban fantasy and George Romero’s zombie horror.

Before he died, Saelig Zilch was a chef. Now, posthumously recruited by a shadowy agency for reasons still unknown, tasked with keeping the public safe from things that go bump in the night, he hunts monsters.

Zilch scrabbles out of a North Carolina grave in someone else’s body. Someone recently dead. He only has a few days to find his bearings and carry out his latest mission, before the precious few nanobugs in his corpse shell are exhausted and he’s forced to start all over at the beginning. As he trudges down the main thoroughfare, he runs into Galavance. More accurately, she runs into him with her pink Chevy Cavalier.

A case of unfortunate timing? Maybe not. Turns out the critter Zilch has been dispatched to dispatch of-a murderous were-frog-squelches uncomfortably close to the trailer Galavance calls home. And come to think of it, Galavance’s boyfriend Jolby has been spending a lot of nights out lately . . .