For the beautiful young woman Ash, life has always been arquebuses and artillery, swords and armour and the true horrors of hand-to-hand combat. War is her job. She has fought her way to the command of a mercenary company, and on her unlikely shoulders lies the destiny of a Europe threatened by the depredations of an Infidel army more terrible than any nightmare. Winner of the BSFA Award for best novel, 2000
Born in the radioactive ashes of World War Three the institute for Applied Psychodynamics had guided Planet Earth to a period of plenty that for the first time fulfilled Science’s promise. But it is the central irony of human existence that prosperity bears the seeds of its own destruction; this time not just Earth but the entire Solar System would endure the flames of war.
Mary Gentle is one of Britain’s most outstanding writers of imaginative fiction, able to move seamlessly from science fiction to fantasy within the same story. Following on from the success of ASH, 1610: A SUNDIAL IN A GRAVE and the omnibus volumes WHITE CROW and ORTHE, comes CARTOMANCY, the definitive collection of Mary Gentle’s short fiction. CARTOMANCY includes the stories from SOLDIERS AND SCHOLARS as well as a number of tales previously unpublished in book form, all with new afterwords and topped and tailed with a specially revised version of her split story ‘Cartomancy’.
They came to destroy! The treacherous Falcons, uniformed in the black leather tunics of the fanatic Secular Arm, descended on Corlay to burn and kill. Commanded by Lord Constant, ruler of the Seven Kingdoms, they were determined to crush the religious heresy of Kinship. But a new dream rose from the ashes. When four Kinsmen escaped the carnage of their beloved land, each helped to fulfill the miracle that had been foretold: the coming of the Child of the Bride of Time.
Yellowstone National Park sits on a hot spot: a plume of molten rock coming up from deep inside the earth capable of volcanic eruptions far greater than any that have occurred in times past. It has been silent for many years, providing false security for a nation unprepared for the full force and fury of nature unleashed. Then explosions send lava and mud flowing far beyond Yellowstone toward populated areas. Clouds of ash drift across the country, nearly blanketing the land from coast to coast. The fall-out destroys crops and livestock, clogs machinery, and makes cities uninhabitable. Those who survive find themselves facing the dawn of a new ice age as temperatures plummet worldwide. Colin Ferguson is a police lieutenant in a suburb of Los Angeles, where snow is falling for the first time in decades. He fears for his family, who are spread across America, refugees caught in an apocalyptic catastrophe in which humanity has no choice but to rise from the ashes and re-create the world…
Davy is set in the far future of our world, in the fourth century after the collapse of what we describe as the twentieth-century civilisation. In a land turned upside-down and backwards by the results of scientific unwisdom, Davy and his fellow Ramblers are carefree outcasts, whose bawdy, joyous adventures among the dead ashes of Old-Time culture make a novel which has been hailed as “a frightening, ribald, poignant look at the imaginary future,” as “this chilling and fascinating book,” as “superb entertainment – unique,” as “so unusual as the make it both refreshing and thought provoking.”
It started as a harmless practical joke. But then the real nightmare begins…John Straker is the neighbourhood bogeyman. Hideously disfigured, he hides himself away from the rest of the world – until the night when a group of children set fire to his house and reduce it – and its owner – to ashes. Mr Bad Face has been well and truly laid to rest. Or so the children think… They’re grown up now and they’ve struggled hard to leave the bad dreams behind. Then, without warning, a figure from the past casts his shadow across the present. Mr Bad Face is back – and he wants revenge.
Behold Demetrios! With the same rich imagination and dazzling insights that won him the International Fantasy Award, Edgar Pangborn weaves a magical tapestry set far in man’s future. It is a time when man, struggling to rise above the ashes of nuclear holocaust, has returned to the simpler values and lifestyle of medieval times. And in this society, Demetrios the storyteller is revered among men for his captivating tales of the Old Time, with its miraculous Telephones, and Jet Planes, and TV, and Automobiles. But Demetrios is also feared – for one storyteller with a head full of ancient truth can be dangerous. So Demetrios is forced to flee, with six compatriots, and together they embark on a journey full of unexpected sorrows, and unimagined delights, a journey through realms of fantasy, philosophy, and rich human possibility, which the reader will be delighted and privileged to share.
Britain, years after the Debacle, and a new London has risen phoenix-like from near the ashes. Though Londoners have retained their physical purity through the ruthless destruction of generations of mutants, man is no longer the same, and society crueller. Cynicism and a whole-hearted recognition of the absolute power of money has replaced humanism, and a belief in reincarnation has replaced religion and the old moral code of ‘doing unto others . . .’ The individual can exist, has a right to exist, only if he is selfish. Death is a Dream is the story of three survivors from the twentieth century who awake from suspended animation in The Cradle to find themselves unemployable, and unfit to live by virtue of their commitments to out-dated ideals. As well as being an investigation of the form society may take after an atomic war, it is, by association, an indictment of society as it is now.
For several years, hiding under a cloak of anonymity, the most penetrating critic of the field of magazine science fiction was known as ‘William Atheling, Jr’. it soon became a challenge to guess his real identity. And that was no easy game, for Atheling’s dissection did not spare even his alter ego, the noted science fiction writer James Blish. Here, then, is a collection of William Atheling’s critiques of SF magazines covering the period 1952 – 1963. no subject is too sacred or taboo for Atheling’s shredding typewriter: from sex to God, from religion to satirical poetry. No author, however fragile, is spared the bloody mark of his relentless ;ash; from Anderson to Heinlein to Wyndham, and all stops in between. A vastly entertaining collection in its own right, The Issue at Hand is also a first-class primer for new writer and seasoned professional alike.